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Screening Enlightenment
Hollywood and the Cultural Reconstruction of Defeated JapanENG Hiroshi Kitamura is Associate Professor of History and Director of International Relations at William & Mary in the United States. He earned his Ph.D. at the University of Wisconsin-Madison, and specializes in diplomatic, cultural, and film history concerning the U.S. and East Asia. Kitamura is a project leader of the US-Japan Baseball Diplomacy Project, which examines the role baseball has played in shaping US-Japan relations over the past 150+ years. RUS Хироси Китамура — доцент кафедры истории в Колледже Вильгельма и Марии. Он получил степень бакалавра по американским исследованиям в Карлтонском колледже (1995), степень магистра (1997) и доктора философии (2004) по истории в Университете Висконсин-Мэдисон. Он также учился в Университете Кейо (Япония) и Университете Нанкай (Китай).
€ 30,50 -
Soviet Science Fiction Cinema and the Space Age
ENGThis book interrogates the relations between nostalgias of today and past utopias in the context of the space age of the 20th century and its cinematic representations in the USSR and in post-Soviet Russia. The author analyzes over 30 Soviet science fiction films, foregrounding their structures of utopia and their evolution over time, in order to trace both their transnational positionalities, transmedial resonance, and impact on post-Soviet Russian films about the space age.RUSВ своей книге Наталия Майсова исследует связь между ностальгией сегодняшнего дня и утопиями прошлого в контексте космической эры XX века и ее репрезентации в кинофильмах СССР и постсоветской России. Автор анализирует более 30 советских научно-фантастических фильмов, выделяя их утопические структуры и эволюцию с течением времени, чтобы проследить их транснациональную
€ 40,20 -
Fictions Nationales
ENG: Between the founding of Soviet Uzbekistan in 1924 and the Stalinist Terror of the late 1930s, a nationalist cinema emerged in Uzbekistan giving rise to the first wave of national film production and an Uzbek cinematographic elite. In Cinema, Nation, and Empire in Uzbekistan Cloéeacute; Drieu uses Uzbek films as a lens to explore the creation of the Soviet State in Central Asia, starting from the collapse of the Russian Empire up through the eve of WWII. Drieu argues that cinema provides a perfect angle for viewing the complex history of domination, nationalism, and empire (here used to denote the centralization of power) within the Soviet sphere. By exploring all of film's dimensions as a socio-political phenomenon-including film production, film reception, and filmic discourse-Drieu reveals how nation and empire were built up as institutional realities and as imaginary constructs. RUS: Основываясь на исследованиях, проведенных в узбекских и российских государственных архивах, и на глубоком анализе четырнадцати полнометражных фильмов, Хлоя Дрийе описывает дискуссии о процессах государственного и национального строительства Узбекистана, а также о возникновении национализма в целом. Книга 'Кино, нация, империя. Узбекистан, 1919-1937' помогает нам понять, как Центральная Азия, входившая в состав Российской империи, сначала была деколонизирована, а затем вновь оказалась под давлен
€ 47,00 -
The Cinema of the Soviet Thaw
Following Joseph Stalin's death in 1953, the Soviet Union experienced a dramatic resurgence in cinematic production. The period of the Soviet Thaw became known for its relative political and cultural liberalization; its films, formally innovative and socially engaged, were swept to the center of international cinematic discourse. In The Cinema of the Soviet Thaw, Lida Oukaderova provides an in-depth analysis of several Soviet films made between 1958 and 1967 to argue for the centrality of space-as both filmic trope and social concern-to Thaw-era cinema. Opening with a discussion of the USSR's little-examined late-fifties embrace of panoramic cinema, the book pursues close readings of films by Mikhail Kalatozov, Georgii Danelia, Larisa Shepitko and Kira Muratova, among others. It demonstrates that these directors' works were motivated by an urge to interrogate and reanimate spatial experience, and through this project to probe critical issues of ideology, social progress, and subjectivity within post-Stalinist culture.
€ 38,30 -
Fade from Red
This study investigates the close correlation between politics and mainstream cinema vividly evidenced in Russian and American screen images of the former Cold War enemy from 1990 to 2005. Whereas glasnost and the demise of the Soviet Union ushered in a period of official cooperation that soon inflated into rhetorical declarations of partnership, the fifteen years under examination saw the gradual deterioration of relations after the initial euphoria, culminating in a partial resumption of mutual Cold War recriminations.
€ 39,40 -
The Tao of Star Wars
€ 31,95