Boys in Zinc
Svetlana Alexievich
Boys in Zinc
Svetlana Alexievich
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Superbly translated... Alexievich's choice of truth as hero is the right one for the age of Putin and Trump
Superbly translated... Alexievich's choice of truth as hero is the right one for the age of Putin and Trump
As shattering and addictive as Chernobyl Prayer, this is a polyphonic tour de force that shines a light on war, the plight of heroes, and why post-Soviet Russia is as it is
A masterpiece of reportage
Alexievich is like a doctor probing the scar tissue of a traumatised nation
What Alexievich is doing is giving voice to the voiceless, exposing not only stories we wouldn't otherwise hear but individuals as well
The least well-known wonderful writer I've ever come across
Alexievich serves no ideology, only an ideal: to listen closely enough to the ordinary voices of her time to orchestrate them into extraordinary books
Alexievich has become one of my heroes
The Belarusian writer has spent decades in listening mode. Alexievich put in thousands of hours with her tape recorder across the lands of the former Soviet Union, collecting and collating stories from ordinary people. She wove those tales into elegant books of such power and insight, that in 2015 she received the Nobel prize for literature
Alexievich's "documentary novels" are crafted and edited with a reporter's cool eye for detail and a poet's ear for the intricate rhythms of human speech. Reading them is like eavesdropping on a confessional. This is history at its rawest and most uncomfortably intimate
Alexievich's artistry has raised oral history to a totally different dimension
Svetlana Alexievich (Author)
Svetlana Alexievich was born in Ivano-Frankivsk in 1948 and has spent most of her life in the Soviet Union and present-day Belarus, with prolonged periods of exile in Western Europe. Starting out as a journalist, she developed her own, distinctive non-fiction genre which brings together a chorus of voices to describe a specific historical moment. Her works include The Unwomanly Face of War (1985), Last Witnesses (1985), Boys in Zinc (1991), Chernobyl Prayer (1997) and Second-Hand Time (2013). She has won many international awards, including the 2015 Nobel Prize in Literature for 'her polyphonic writings, a monument to suffering and courage in our time'.
Superbly translated... Alexievich's choice of truth as hero is the right one for the age of Putin and Trump
As shattering and addictive as Chernobyl Prayer, this is a polyphonic tour de force that shines a light on war, the plight of heroes, and why post-Soviet Russia is as it is
A masterpiece of reportage
Alexievich is like a doctor probing the scar tissue of a traumatised nation
What Alexievich is doing is giving voice to the voiceless, exposing not only stories we wouldn't otherwise hear but individuals as well
The least well-known wonderful writer I've ever come across
Alexievich serves no ideology, only an ideal: to listen closely enough to the ordinary voices of her time to orchestrate them into extraordinary books
Alexievich has become one of my heroes
The Belarusian writer has spent decades in listening mode. Alexievich put in thousands of hours with her tape recorder across the lands of the former Soviet Union, collecting and collating stories from ordinary people. She wove those tales into elegant books of such power and insight, that in 2015 she received the Nobel prize for literature
Alexievich's "documentary novels" are crafted and edited with a reporter's cool eye for detail and a poet's ear for the intricate rhythms of human speech. Reading them is like eavesdropping on a confessional. This is history at its rawest and most uncomfortably intimate
Alexievich's artistry has raised oral history to a totally different dimension
Svetlana Alexievich (Author)
Svetlana Alexievich was born in Ivano-Frankivsk in 1948 and has spent most of her life in the Soviet Union and present-day Belarus, with prolonged periods of exile in Western Europe. Starting out as a journalist, she developed her own, distinctive non-fiction genre which brings together a chorus of voices to describe a specific historical moment. Her works include The Unwomanly Face of War (1985), Last Witnesses (1985), Boys in Zinc (1991), Chernobyl Prayer (1997) and Second-Hand Time (2013). She has won many international awards, including the 2015 Nobel Prize in Literature for 'her polyphonic writings, a monument to suffering and courage in our time'.