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[Grochala's] book is at its most powerful when it engages with such divided selves and spaces, as well as the creative impulses that lie behind them.
[Grochala's] book is at its most powerful when it engages with such divided selves and spaces, as well as the creative impulses that lie behind them.
The Contemporary Political Play: Rethinking Dramaturgical Structure is a valuable resource for students and academics, as well as to new and established playwrights. This book will become a staple in my arsenal as an academic, lecturer and playwright. I found the book so useful that I began using it in my teaching and lectures even before I had finished reading it.
Sarah Grochala is a lecturer in writing for theatre at the Royal Central School of Speech and Drama, London, UK, and teaches playwriting on their MFA/MA in Writing for Stage and Broadcast Media. Her plays, which have been staged nationally and internationally, include: S-27 (Amnesty International/iceandfire Protect the Human Award 2007) and Smolensk (Adopt a Playwright Award 2011). She is currently an associate artist with the theatre company Headlong.