Country
Michael Hughes
Country
Michael Hughes
Paperback
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Engels
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A vivid and brutal reimagining of Homer's Iliad, set in the Troubles of the late twentieth century.
A lively, convincing demotic that captures an Irish idiomatic flow and an echo of Homer's formalities and hexametric lines. It begs to be read aloud
The language is enough to keep you enthralled . . . a violent pounding demotic as memorable in its way as Homer's hexameter
A bold, imaginative second novel
Energetic . . . an ingenious refitting that illuminates both conflicts
Country explodes with verbal invention, rapid juxtaposition, brutality and fun . . . Hughes's linguistic dexterity, his ear for dialogue, his understanding of character, the energy of his prose
Reading this book is like sitting in the pub listening to a good friend tell you stories. It does what only the best retellings can and makes you see the myth anew
This is a hard, rigorous and necessary book which grinds out its beauty as the song cycles of empire and resistance fall silent, choked in their own blood
A brutal and gripping thriller in its own right . . . a consistently engrossing read, written in Ulster-flavoured prose as rich and evocative as you would expect from a professional thespian
Consistently thrilling . . . By enlisting the visceral power of The Iliad to illustrate the violence of the Troubles . . . Hughes has written a striking, memorable book
Prose that crackles with the vernacular of hard men, yet remains compulsively readable throughout . . . a classic story, and a gritty contemporary thriller, this book is an extraordinary achievement
This powerful novel is full of blistering writing that leaps off the page and is perhaps the first great fiction about The Troubles since Dermot Healy
I couldn't put Country down. Tears through the pages at a cracking pace with sharp, smart prose and excellent dialogue
Hughes has to contort some and plot elements to match the exigencies of themes such as honour, religion, slavery and warrior/royal behaviour in the 8th century pre-Christian Mediterranean world. But he does this so cleverly and audaciously that the reader goes with him - for the sheer fun of it, if nothing else . . . In a way, his colloquialised retelling (a tour de force of voice, reminiscent of the heights achieve by Patrick McCabe in The Butcher Boy) is truer to the hexameter rhythms of the original poem
Exceptionally good
Clear-voiced and visceral . . . This enjoyable novel gives voice to fine characters that are challenging, selfish, brutal and worth your time
Thrillerishly bite-sized chapters hurtle towards an explosive climax
Hughes brilliantly reconciles Homeric rhythms with his muscular modern idiom
Country struck me as this year's most daring Troubles novel
Michael Hughes grew up in Keady, Co. Armagh, and now lives in London. He attended St Patrick's Grammar School in Armagh and read English at Corpus Christi College, Oxford before training in theatre at the Jacques Lecoq School in Paris. He has worked for many years as an actor under the professional name Michael Colgan, and he also teaches creative writing. His first novel, The Countenance Divine, was published by John Murray in 2016.
A lively, convincing demotic that captures an Irish idiomatic flow and an echo of Homer's formalities and hexametric lines. It begs to be read aloud
The language is enough to keep you enthralled . . . a violent pounding demotic as memorable in its way as Homer's hexameter
A bold, imaginative second novel
Energetic . . . an ingenious refitting that illuminates both conflicts
Country explodes with verbal invention, rapid juxtaposition, brutality and fun . . . Hughes's linguistic dexterity, his ear for dialogue, his understanding of character, the energy of his prose
Reading this book is like sitting in the pub listening to a good friend tell you stories. It does what only the best retellings can and makes you see the myth anew
This is a hard, rigorous and necessary book which grinds out its beauty as the song cycles of empire and resistance fall silent, choked in their own blood
A brutal and gripping thriller in its own right . . . a consistently engrossing read, written in Ulster-flavoured prose as rich and evocative as you would expect from a professional thespian
Consistently thrilling . . . By enlisting the visceral power of The Iliad to illustrate the violence of the Troubles . . . Hughes has written a striking, memorable book
Prose that crackles with the vernacular of hard men, yet remains compulsively readable throughout . . . a classic story, and a gritty contemporary thriller, this book is an extraordinary achievement
This powerful novel is full of blistering writing that leaps off the page and is perhaps the first great fiction about The Troubles since Dermot Healy
I couldn't put Country down. Tears through the pages at a cracking pace with sharp, smart prose and excellent dialogue
Hughes has to contort some and plot elements to match the exigencies of themes such as honour, religion, slavery and warrior/royal behaviour in the 8th century pre-Christian Mediterranean world. But he does this so cleverly and audaciously that the reader goes with him - for the sheer fun of it, if nothing else . . . In a way, his colloquialised retelling (a tour de force of voice, reminiscent of the heights achieve by Patrick McCabe in The Butcher Boy) is truer to the hexameter rhythms of the original poem
Exceptionally good
Clear-voiced and visceral . . . This enjoyable novel gives voice to fine characters that are challenging, selfish, brutal and worth your time
Thrillerishly bite-sized chapters hurtle towards an explosive climax
Hughes brilliantly reconciles Homeric rhythms with his muscular modern idiom
Country struck me as this year's most daring Troubles novel
Michael Hughes grew up in Keady, Co. Armagh, and now lives in London. He attended St Patrick's Grammar School in Armagh and read English at Corpus Christi College, Oxford before training in theatre at the Jacques Lecoq School in Paris. He has worked for many years as an actor under the professional name Michael Colgan, and he also teaches creative writing. His first novel, The Countenance Divine, was published by John Murray in 2016.