A charming satire of middle-class suburbia by George and Weedon Grossmith, with original illustrations from the latter and an afterword by Paul Bailey.
The funniest book in the world
There's a universality about Pooter that touches everybody . . . [he] fits into the tradition of absurd humour that the British do well, which started with Jonathan Swift and runs through Lewis Carroll and Edward Lear to Monty Python
Pooter himself is as gentle as you could wish, a wonderful character, genuinely lovable. The book is beautifully constructed
One of those rare books that nails a cultural archetype and has won the affection of successive generations
The funniest book about a certain type of Englishness . . . there is a whole line of these comic characters like Captain Mainwaring in Dad's Army, or Basil Fawlty
George Grossmith enjoyed a successful career spanning four decades as an accomplished singer, comic actor and songwriter. He was particularly renowned for his performances in a number of Gilbert and Sullivan operas. His younger brother Weedon trained as an artist and worked as a portrait painter before turning his hand to acting and playwriting. The brothers shared a gift for comedy and from 1888 to 1889 they collaborated on a series of brilliantly observed columns in Punch magazine featuring the diary of an impossibly pompous lower-middle-class bank clerk named Charles Pooter. The Diary of a Nobody went on to be published in book form in 1892 and it has been in print ever since.