A landmark in contemporary Spanish literature, Agustín Fernández Mallo's Nocilla Trilogy charts a hidden and exhilarating cartography of contemporary experience.
‘Like having multiple browser windows open, and compulsively tabbing between them.’
— Chris Power, Guardian
‘The most original and powerful author of his generation in Spain.’
— Mathias Enard, author of Compass
‘Think of [Nocilla Trilogy] as three novels at the edge of the form, their manifold narratives folded into each other: all highly imaginative, all fairly unhinged, all methodically interrupted by a range of scientific, theoretical and literary quotations…’
— Kevin Breathnach, London Review of Books
‘One of the best writers in Spanish, with an absolutely unique style and fictional world.’
— Jorge Carrión, New York Times in Spanish
‘A wonderful work of avant-gardist fiction – in the line of David Markson, Ben Marcus.’
— Germán Sierra, Asymptote
‘A strange and original sensibility at work – one that combines a deep commitment to the possibilities of art with a gonzo spirit and a complete absence of pretention.’
— Christopher Beha, Harper’s
Agustín Fernández Mallo was born in La Coruña in 1967, and is a qualified physicist. In 2000 he formulated a self-termed theory of ‘post-poetry’ which explores connections between art and science. His Nocilla Trilogy, published between 2006 and 2009, brought about an important shift in contemporary Spanish writing and paved the way for the birth of a new generation of authors, known as the ‘Nocilla Generation’. His essay Postpoesía: hacia un nuevo paradigma was shortlisted for the Anagrama Essay Prize in 2009. In 2018 his long essay Teoría general de la basura (cultura, apropiación, complejidad) was published by Galaxia Gutenberg, and in the same year his latest novel, The Things We’ve Seen, won the Biblioteca Breve Prize.