"Richly illustrated, multivocal, and altogether remarkable. . . . This book does us all a service by ushering Curtis’s In the Land of the Head Hunters into the 21st century."
"Richly illustrated, multivocal, and altogether remarkable. . . . This book does us all a service by ushering Curtis’s In the Land of the Head Hunters into the 21st century."
"Offers a stunning range of perspectives and visual materials drawing from the original production to the present. . . . Ambitious not only in its scope but in its commitment to understanding and presenting the film in its multiple indigenous contexts."
"A detailed and thoughtful book that brings together scholars, artists, and Kwakwaka’wakw community members in a wide-ranging discourse on the film."
"The essays provide a rare look at both the tremendous amount of planning, negotiation, and artistic work that goes into this kind of production, but also the diversity of reactions it necessarily inspires—from sturdy appreciation to charges of romanticism and exploitation."
"[An] accomplished critical engagement with the complicated and tumultuous nature of the place of the film in academia and in First Nations communities. . . . The volume is also testimony to the fact that 100 years after the original production, the film can still capture the imaginations and minds of scholars and the broad public."
"[This] generously illustrated anthology of essays—some decidedly academic, others more personal and anecdotal—address the film from every angle while also placing Curtis (1868–1952) and his First Nations collaborators on the film in their historical context."
Brad Evans is associate professor of English at Rutgers University. Aaron Glass is associate professor of anthropology at the Bard Graduate Center.