"A lively, loping study of Hunter S. Thompson as litterateur."
"A lively, loping study of Hunter S. Thompson as litterateur."
"Richardson has a superb grasp of 1960s Bay Area culture. . . . This valuable study suggests that San Francisco, where Thompson took an assignment to write about a motorcycle gang, would prove his greatest touchstone."
"Richardson successfully captures Thompson’s lasting impact, positing him as the intellectual face of
Rolling Stone and a thinker who anticipated Donald Trump’s politics. Literature lovers will find much to consider, as will readers interested in an artist’s struggle to develop a voice."
"Richardson presents a thoughtful examination of Thompson’s best work, his impact on journalism, and the price that he paid for those years when he burned the candle at both ends and in the middle."
"Well documented and smoothly written, the book is a pleasure. . . . Highly recommended."
“Richardson’s decision to look at Thompson through a literary lens not only works, it truly succeeds in adding a new level of comprehension and context to Thompson’s writing.”
“Richardson makes an unassailable case for Thompson as one of the great media critics of his time.”
"Some call Thompson the founder of 'gonzo,' a subset of New Journalism that shed objectivity and thrust the writer to the center of the story. As Richardson explains, the truth is more complex."
"Artfully crafted and dutifully researched. . . . It is a solid bridge between the writings of Hunter S. Thompson and the persona that was created to embody the spirit of Gonzo journalism."
Peter Richardson has written critically acclaimed books about the Grateful Dead, the iconic rock band;
Ramparts magazine, the legendary San Francisco muckraker; and Carey McWilliams, the radical author, journalist, and editor of
The Nation magazine.