Aimed at lay, student, and academic readers alike, this book concerns the imagination, and specifically imagination in music. It opens with a discussion of the invalidity of the idea of the creative genius and the connected view that ideas originate just in the individual mind.
After a career as a geography academic, civil servant, local government officer, and political activist, Alan Taylor turned to music halfway through life and has since gained a PhD on the subject of the musical imagination. He is an active community musician, conducting two ensembles, performing in others, and directing the Herne Hill Music Festival.