Paperback
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English
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Description
Compulsive, eerily gorgeous, [it] will have you gripped until the end... A film adaptation feels inevitable... As far as debuts go, this is superb
Compulsive, eerily gorgeous, [it] will have you gripped until the end... A film adaptation feels inevitable... As far as debuts go, this is superb
A feminist dystopian fairy tale, a sexual coming-of-age story and a survival-of-the-fittest tale. Evocative, suspenseful and bleak - in short, everything this age seems to be demanding
[An] eerie, uncanny literary debut... Beautifully written, pared down and hypnotic
Bewitching... [An] ambiguous utopia
In raw, visceral prose, Mackintosh probes at ideas of the threat of male violence, the ways women are told to protect ourselves, love and sisterhood and survival. A hypnotic, stormy book, with one of my favourite endings I've read in a long while
Stunning... A haunting story of abuse, death, and desire... Chilling and topical, a breathtaking debut
Eerily beautiful, this strange, unsettling novel creeps up and grabs hold of you
Darkly gratifying, dreamy, primal, and arresting [as] a fairy tale... The overgrown grounds, with their perimeter of rusty barbed wire and shark-infested waters, resemble Sleeping Beauty's castle
Searing, richly drawn, eerily compelling... As foreboding in what it holds back as in what it reveals
Elemental... [A] utopia portrayed in spectral, organic prose... Mackintosh is a wonderful stylist; the full scope of her imagination, as well as the cohesion of her vision, is evident on every page... A seriously impressive feat
[A] wildly confident debut... Take the strange social ceremonies of The Lobster and the pheromone-rich claustrophobia of The Beguiled and you come close to the world Sophie Mackintosh conjures
The Water Cure is eerily still and pure - with saline bite... Mackintosh asks if it is the traumas of our pasts that ultimately pose the greatest threat to our futures
Powerfully unsettling, immensely assured, calmly devastating. It conjures a world both alien and familiar, exploring the physical and psychological cruelties enacted on women, by men, in the name of their protection, and the noble and ignoble uses to which anger can be put in a perverse world. This is a gem of a novel, and I was bowled over by it
Electric [and] beautifully strange... Her novel is an exercise in minimalism
A hypnotic read... This extraordinary debut is a feminist, quasi-dystopian read - great for fans of Hot Milk, The Girls and The Vegetarian
A work of cool, claustrophobic beauty. Sophie Mackintosh writes devastatingly well about the complexities that women face in loving men, and in loving each other
Uneasy, mythic, lawless... The atmospheric landscapes cloak trauma and violence in wisps of uncertainty, where bad feelings coalesce as both presciently felt and strangely unknowable
Otherworldly, brutal and poetic: a feminist fable set by the sea, a utopia gone awry, a female Lord of the Flies. It transported me, savaged me, filled me with hope and fear. It felt like a book I'd been waiting to read for a long time
[A] lyrical debut, original and very atmospheric
Eerie, electric, beautiful. It rushes you through to the end on a tide of tension and closely held panic. I loved this book
Creepy and delightful, a portrayal of post-apocalyptic puberty, intermingling desire and despair. It has a pinch of Shirley Jackson, a dash of chlorine, and an essence all of its own
Powerful, mythic, seductively sinister... Her alternative world is as carefully imagined as one of Margaret Atwood's... [Sophie Mackintosh] is a writer to be reckoned with
Eerie and unsettling, the novel exerts a hypnotic grip as the tension builds
A superb debut
The Water Cure deserves a Sofia Coppola-style big-screen treatment, although its cultish overtones and sinister denouement are as reminiscent of The Wicker Man as The Virgin Suicides
Sophie Mackintosh is the author of three novels: The Water Cure, Blue Ticket and Cursed Bread. Her debut novel was longlisted for the Man Booker Prize 2018 and won a Betty Trask Award 2019. Cursed Bread was longlisted for the Women's Prize 2023. She has been published in Granta, The White Review and TANK magazine among others.
Compulsive, eerily gorgeous, [it] will have you gripped until the end... A film adaptation feels inevitable... As far as debuts go, this is superb
A feminist dystopian fairy tale, a sexual coming-of-age story and a survival-of-the-fittest tale. Evocative, suspenseful and bleak - in short, everything this age seems to be demanding
[An] eerie, uncanny literary debut... Beautifully written, pared down and hypnotic
Bewitching... [An] ambiguous utopia
In raw, visceral prose, Mackintosh probes at ideas of the threat of male violence, the ways women are told to protect ourselves, love and sisterhood and survival. A hypnotic, stormy book, with one of my favourite endings I've read in a long while
Stunning... A haunting story of abuse, death, and desire... Chilling and topical, a breathtaking debut
Eerily beautiful, this strange, unsettling novel creeps up and grabs hold of you
Darkly gratifying, dreamy, primal, and arresting [as] a fairy tale... The overgrown grounds, with their perimeter of rusty barbed wire and shark-infested waters, resemble Sleeping Beauty's castle
Searing, richly drawn, eerily compelling... As foreboding in what it holds back as in what it reveals
Elemental... [A] utopia portrayed in spectral, organic prose... Mackintosh is a wonderful stylist; the full scope of her imagination, as well as the cohesion of her vision, is evident on every page... A seriously impressive feat
[A] wildly confident debut... Take the strange social ceremonies of The Lobster and the pheromone-rich claustrophobia of The Beguiled and you come close to the world Sophie Mackintosh conjures
The Water Cure is eerily still and pure - with saline bite... Mackintosh asks if it is the traumas of our pasts that ultimately pose the greatest threat to our futures
Powerfully unsettling, immensely assured, calmly devastating. It conjures a world both alien and familiar, exploring the physical and psychological cruelties enacted on women, by men, in the name of their protection, and the noble and ignoble uses to which anger can be put in a perverse world. This is a gem of a novel, and I was bowled over by it
Electric [and] beautifully strange... Her novel is an exercise in minimalism
A hypnotic read... This extraordinary debut is a feminist, quasi-dystopian read - great for fans of Hot Milk, The Girls and The Vegetarian
A work of cool, claustrophobic beauty. Sophie Mackintosh writes devastatingly well about the complexities that women face in loving men, and in loving each other
Uneasy, mythic, lawless... The atmospheric landscapes cloak trauma and violence in wisps of uncertainty, where bad feelings coalesce as both presciently felt and strangely unknowable
Otherworldly, brutal and poetic: a feminist fable set by the sea, a utopia gone awry, a female Lord of the Flies. It transported me, savaged me, filled me with hope and fear. It felt like a book I'd been waiting to read for a long time
[A] lyrical debut, original and very atmospheric
Eerie, electric, beautiful. It rushes you through to the end on a tide of tension and closely held panic. I loved this book
Creepy and delightful, a portrayal of post-apocalyptic puberty, intermingling desire and despair. It has a pinch of Shirley Jackson, a dash of chlorine, and an essence all of its own
Powerful, mythic, seductively sinister... Her alternative world is as carefully imagined as one of Margaret Atwood's... [Sophie Mackintosh] is a writer to be reckoned with
Eerie and unsettling, the novel exerts a hypnotic grip as the tension builds
A superb debut
The Water Cure deserves a Sofia Coppola-style big-screen treatment, although its cultish overtones and sinister denouement are as reminiscent of The Wicker Man as The Virgin Suicides
Sophie Mackintosh is the author of three novels: The Water Cure, Blue Ticket and Cursed Bread. Her debut novel was longlisted for the Man Booker Prize 2018 and won a Betty Trask Award 2019. Cursed Bread was longlisted for the Women's Prize 2023. She has been published in Granta, The White Review and TANK magazine among others.