Paperback
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English
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Description
Winner of the Sunday Times Top Ten Bestseller, this book is about a journey undertaken by the author that begins in the dusty city of Jingdezhen in China and travels on to Venice, Versailles, Dublin, Dresden, the Appalachian Mountains of South Carolina and the hills of Cornwall to tell the history of porcelain.
Sweeping in scope ... intimate in detail ... The White Road is a mesmirising and finely wrought work. It is also a cautionary tale about the price of beauty pursued at any cost.
I loved almost every word of de Waal's book. ... De Waal is intimate with the very stuff that he has tranformed so beautifully into pots; intimate with its history; intimate with the characters who make up its story. And yes, by the end, if this sort of elbow-grabbing book works for you - which it did triumphantly for me - he in intimate with his readers too
Graceful and insightful… this book is certainly the finest account of the many meanings of porcelain to the modern world that I have read
This book is a history of the making of porcelain – its discovery and rediscovery – from ancient China to Dachau. ... Mixed in with this history is a kind of autobiographical account of de Waal's own work. He says he thinks with his hands, and he is amazingly skilled at telling us what is happening as he feels the clay, turns the wheel, unloads the kiln.
This is the most personal sort of book one can read: an account of a love affair. ... You learn everything you could possibly need to know about porcelain. ... You don't want to stop reading, because de Waal, with his sharp curator's eye, has excellent judgment when it comes to showing readers things that they will find fascinating, funny or moving.
De Waal writes beautifully, wears his learning lightly and charmingly and makes sure anyone and everyone will care deeply about the white stuff too.
Edmund de Waal's The Hare with Amber Eyes, the story of a collection of netsuke owned by his relatives, was a surprise bestseller. ... This account of china clay should claim an even greater readership. It deserves to. It is an even better book. I already have it marked down as my book of the year.
Edmund de Waal's poetic book is like a porcelain cup richly and delicately painted with the story of a mysterious substance and an alchemical art that have combined to enrich, enchant and sometimes ruin aficionados and artists alike.
This is a haunting book, a book that amasses itself piece by piece, gaining in weight.
Edmund de Waal has a way of making you care about handmade ceramics in a way no other writer does
engaging and erudite
engaging and erudite
A single porcelain pot is sufficiently beautiful to behold, as is this dramatic, gloriously theatrical and irresistibly passionate pilgrimage into a dark hall of mirrors
a lyrical yet admirably unflinching tale
a fascinating voyage
Sweeping in scope ... intimate in detail ... The White Road is a mesmirising and finely wrought work. It is also a cautionary tale about the price of beauty pursued at any cost.
I loved almost every word of de Waal's book. ... De Waal is intimate with the very stuff that he has tranformed so beautifully into pots; intimate with its history; intimate with the characters who make up its story. And yes, by the end, if this sort of elbow-grabbing book works for you - which it did triumphantly for me - he in intimate with his readers too
Graceful and insightful… this book is certainly the finest account of the many meanings of porcelain to the modern world that I have read
This book is a history of the making of porcelain – its discovery and rediscovery – from ancient China to Dachau. ... Mixed in with this history is a kind of autobiographical account of de Waal's own work. He says he thinks with his hands, and he is amazingly skilled at telling us what is happening as he feels the clay, turns the wheel, unloads the kiln.
This is the most personal sort of book one can read: an account of a love affair. ... You learn everything you could possibly need to know about porcelain. ... You don't want to stop reading, because de Waal, with his sharp curator's eye, has excellent judgment when it comes to showing readers things that they will find fascinating, funny or moving.
De Waal writes beautifully, wears his learning lightly and charmingly and makes sure anyone and everyone will care deeply about the white stuff too.
Edmund de Waal's The Hare with Amber Eyes, the story of a collection of netsuke owned by his relatives, was a surprise bestseller. ... This account of china clay should claim an even greater readership. It deserves to. It is an even better book. I already have it marked down as my book of the year.
Edmund de Waal's poetic book is like a porcelain cup richly and delicately painted with the story of a mysterious substance and an alchemical art that have combined to enrich, enchant and sometimes ruin aficionados and artists alike.
This is a haunting book, a book that amasses itself piece by piece, gaining in weight.
Edmund de Waal has a way of making you care about handmade ceramics in a way no other writer does
engaging and erudite
engaging and erudite
A single porcelain pot is sufficiently beautiful to behold, as is this dramatic, gloriously theatrical and irresistibly passionate pilgrimage into a dark hall of mirrors
a lyrical yet admirably unflinching tale
a fascinating voyage
Edmund de Waal is an artist whose porcelain is exhibited in museums and galleries around the world. His bestselling memoir, The Hare with Amber Eyes, won the RSL Ondaatje prize and the Costa Biography Award and in 2015 he was awarded the Windham-Campbell prize for non-fiction by Yale University. The White Road, a journey into the history of porcelain, was published in 2015. He lives in London with his family.
www.edmunddewaal.com