This Census-Taker
China Miéville
This Census-Taker
China Miéville
Paperback
|
English
€12.95
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Description
A stunning, uncanny and profoundly moving novella from multiple award-winning author China Miéville.
A short, dark fairytale, Kafka rewritten by David Mitchell, and may well be the best thing you'll read all year.
Miéville's solid, world-creating imagination is shown to powerful effect in this novella . . . Superb.
Harrowing beauty and existential disorientation . . . it's a Miéville book, after all . . . The interpretative stakes are high enough to give you a nosebleed.
Miéville's brain-twisting, inventive use of language pins the indefinable to the page, reading this slim book feels like gasping a lungful of air, holding it throughout the letting it out slowly, wondering what just happened. A challenging, thought-provoking read.
Miéville creates a beautiful landscape in an uncertain country and era . . . Wonderfully rendered . . . What we're allowed to see and to know takes on an incredible power. This Census-Taker takes root quickly, and you won't soon forget it.
A stark and subtle fable that manages to be both lapidary and nebulous at the same time. "Haunting" does not do justice to its exquisitely eerie properties . . . This is the most poetic of Miéville's books so far . . . It can be appreciated just for its complex psychology and emotional impact - it is by far his most plangent book, suffused with a tight-lipped melancholy.
Gripping and tantalisingly elusive . . . akin to trying to remember an important yet only half-understood event.
Miéville is regarded as one of the most interesting and freakishly gifted writers of his generation. He has an astonishing facility - rare in writers of imaginative fiction - for invention . . . The prose is as precise ad the writing done by a monumental mason, but it has been chiselled into a realistic depiction of fog. It is eerie but solid.
Powerful . . . [China Miéville's] imagination is powerful, his outlook original and he's an amazing teller of stories; yet he never loses his grip on the "reality" of his characters, and he observes the literary rules of his so-called genre only by breaking them.
China Miéville has a gift for turning the strange into the given, and this elusive little world is conveyed with precision and vividness. The result is an ingenious novella that lingers in the mind like an unsettling dream.
[China Miéville] is just regarded as one of the most interesting and freakishly gifted writers of his generation, an estimation this novella only upholds.
This sparse, surreal novel brilliantly shows the gradual unfolding of piecemeal memories following a trauma.
Compelling . . . the classic Miéville themes of power, alienation and politics are never far from the surface, and the tale lingers in the memory.
This Census-Taker is the book you read when you're looking for something that will haunt your dreams for weeks (or months) after you put it down. It is a grown-up fairy tale with a black and murderous heart, about a boy convinced that his father is a murderer. One of China Miéville's greatest strengths is his ability to see his imaginary worlds through the eyes of his characters, not of his readers . . . This is Miéville at his most sparse, his most controlled and restrained
China Miéville is the multiple award-winning author of many books, including The City & The City, Embassytown and Perdido Street Station. In addition to This Census-Taker, he is also the author of the novella The Last Days of New Paris, and the short story collections Three Moments of an Explosion and Looking for Jake and Other Stories. He lives and works in London.
A short, dark fairytale, Kafka rewritten by David Mitchell, and may well be the best thing you'll read all year.
Miéville's solid, world-creating imagination is shown to powerful effect in this novella . . . Superb.
Harrowing beauty and existential disorientation . . . it's a Miéville book, after all . . . The interpretative stakes are high enough to give you a nosebleed.
Miéville's brain-twisting, inventive use of language pins the indefinable to the page, reading this slim book feels like gasping a lungful of air, holding it throughout the letting it out slowly, wondering what just happened. A challenging, thought-provoking read.
Miéville creates a beautiful landscape in an uncertain country and era . . . Wonderfully rendered . . . What we're allowed to see and to know takes on an incredible power. This Census-Taker takes root quickly, and you won't soon forget it.
A stark and subtle fable that manages to be both lapidary and nebulous at the same time. "Haunting" does not do justice to its exquisitely eerie properties . . . This is the most poetic of Miéville's books so far . . . It can be appreciated just for its complex psychology and emotional impact - it is by far his most plangent book, suffused with a tight-lipped melancholy.
Gripping and tantalisingly elusive . . . akin to trying to remember an important yet only half-understood event.
Miéville is regarded as one of the most interesting and freakishly gifted writers of his generation. He has an astonishing facility - rare in writers of imaginative fiction - for invention . . . The prose is as precise ad the writing done by a monumental mason, but it has been chiselled into a realistic depiction of fog. It is eerie but solid.
Powerful . . . [China Miéville's] imagination is powerful, his outlook original and he's an amazing teller of stories; yet he never loses his grip on the "reality" of his characters, and he observes the literary rules of his so-called genre only by breaking them.
China Miéville has a gift for turning the strange into the given, and this elusive little world is conveyed with precision and vividness. The result is an ingenious novella that lingers in the mind like an unsettling dream.
Extraordinary . . . This Census-Taker bends, flexes and manipulates invention on a scale that would
keep a more conventional imagination occupied for hundreds of pages . . . Over and over again, book after book, Miéville's mature work forces the reader to ask the question that most writers get to prompt once in a literary lifetime if they're lucky: what is this new thing we are being shown? Repeatedly, as a writer of the fantastic, he forces a redefinition of what fantasy can be . . . It is optic, an angle of vision, a new-ground lens applied to a world that, through it, swims and bleeds and discloses what it would not have done otherwise.
[China Miéville] is just regarded as one of the most interesting and freakishly gifted writers of his generation, an estimation this novella only upholds.
This sparse, surreal novel brilliantly shows the gradual unfolding of piecemeal memories following a trauma.
Compelling . . . the classic Miéville themes of power, alienation and politics are never far from the surface, and the tale lingers in the memory.
This Census-Taker is the book you read when you're looking for something that will haunt your dreams for weeks (or months) after you put it down. It is a grown-up fairy tale with a black and murderous heart, about a boy convinced that his father is a murderer. One of China Miéville's greatest strengths is his ability to see his imaginary worlds through the eyes of his characters, not of his readers . . . This is Miéville at his most sparse, his most controlled and restrained
China Miéville is the multiple award-winning author of many books, including The City & The City, Embassytown and Perdido Street Station. In addition to This Census-Taker, he is also the author of the novella The Last Days of New Paris, and the short story collections Three Moments of an Explosion and Looking for Jake and Other Stories. He lives and works in London.