Hardback / gebonden
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Engels
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Omschrijving
In this groundbreaking, highly provocative examination of the Renaissance, Jerry Brotton and Lisa Jardine raise questions about the formation of cultural identity in Western Europe. Through an analysis of the circulation of art and luxury objects, the...
"A fascinating, highly readable yet nuanced cultural history in which a range of artistic objects, both well known and less familiar, are central to the authors' exploration of cultural identity."—Choice, March 2001
"The book is fresh, entertaining and finely presented."—Economist. September, 2000
"As Jardine and Brotton themselves write in their introduction, their book is but the tip of a very large iceberg. Part of its fascination will reside in the discovery of all that its lessons, all that the new mentalities it recommends, might reach. In the end, to expand our sense of the interests that were global can only add to the force of the authors' thesis, and recommend their challenge to a wide audience."—Michael Cole, Univesity of North Carolina, Chapel Hill. Bryn Mawr Review of Comparative Literature, Vol. 3, No. 1, Fall 2001
"Global Interests. . . is highly recommended to anyone interested in Reanaissance painting and drawing, tapestry and sculpture, and all fine and decorative arts."—Bibliotheque d'Humanisme et Renaissance, Vol. LXIII, No. 2, 2001
"Recommended. . . ."—James Malpas, Sotheby's Institute. The Art Newspaper. October, 2000.
"Lisa Jardine and Jerry Brotton examine the design and circulation of portrait medals, tapestries, and equestrian art in order to identify areas of cultural exchange between East and West in the Renaissance."—Mary E. Bergstein, Rhode Island School of Design. Renaissance Quarterly.
"A fascinating, highly readable yet nuanced cultural history in which a range of artistic objects, both well known and less familiar, are central to the authors' exploration of cultural identity."—Choice, March 2001
"The book is fresh, entertaining and finely presented."—Economist. September, 2000
"As Jardine and Brotton themselves write in their introduction, their book is but the tip of a very large iceberg. Part of its fascination will reside in the discovery of all that its lessons, all that the new mentalities it recommends, might reach. In the end, to expand our sense of the interests that were global can only add to the force of the authors' thesis, and recommend their challenge to a wide audience."—Michael Cole, Univesity of North Carolina, Chapel Hill. Bryn Mawr Review of Comparative Literature, Vol. 3, No. 1, Fall 2001
"Global Interests. . . is highly recommended to anyone interested in Reanaissance painting and drawing, tapestry and sculpture, and all fine and decorative arts."—Bibliotheque d'Humanisme et Renaissance, Vol. LXIII, No. 2, 2001
"Recommended. . . ."—James Malpas, Sotheby's Institute. The Art Newspaper. October, 2000.
"Lisa Jardine and Jerry Brotton examine the design and circulation of portrait medals, tapestries, and equestrian art in order to identify areas of cultural exchange between East and West in the Renaissance."—Mary E. Bergstein, Rhode Island School of Design. Renaissance Quarterly.