'Grease Is the Word'
Exploring a Cultural Phenomenon
'Grease Is the Word'
Exploring a Cultural Phenomenon
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‘Mining significant new primary materials and offering an admirable array of scholarly approaches, this collection adds much-needed depth to our current understanding of one of the most successful and yet underexamined pieces of American popular film in the twentieth century, the “cultural phenomenon” known as Grease.’
—Barbara Jane Brickman, Assistant Professor of Media and Gender Studies, New College & Department of Gender and Race Studies, University of Alabama, USA
‘Mining significant new primary materials and offering an admirable array of scholarly approaches, this collection adds much-needed depth to our current understanding of one of the most successful and yet underexamined pieces of American popular film in the twentieth century, the “cultural phenomenon” known as Grease.’
—Barbara Jane Brickman, Assistant Professor of Media and Gender Studies, New College & Department of Gender and Race Studies, University of Alabama, USA
‘Gruner and Krämer have gathered eleven fascinating essays that dissect Grease and explore the contexts that produced it and sustained its popularity. More than an in-depth examination of the film, “Grease Is the Word” is a major new offering in the study of US cinema and culture.’
—Yannis Tzioumakis, Reader in Film and Media Industries, University of Liverpool, UK
‘This collection brings together a variety of scholars in order to offer an interdisciplinary array of approaches to examine a multimedia phenomenon, using Grease as a lens through which to ask some of the key questions pertinent to film, media and cultural studies – most significantly questions related to stardom, nostalgia, fandom, representation, adaptation and critical reception.’
—Melanie Kennedy (SFHEA), Lecturer in Media and Communication, School of Media, Communication and Sociology, University of Leicester, UK
Oliver Gruner is a senior lecturer in visual culture at the University of Portsmouth, UK. He is the author of Screening the Sixties: Hollywood Cinema and the Politics of Memory (2016). His work has also been published or is forthcoming in journals such as the Historical Journal of Film, Radio and Television, Rethinking History and The Poster as well as in various edited collections.
Peter Krämer is a senior research fellow in cinema and TV in the Leicester Media School at De Montfort University, UK, and a senior fellow in the School of Art, Media and American Studies at the University of East Anglia, UK. He is also a regular guest lecturer at Masaryk University, Czech Republic, and at the University of Television and Film, Munich, Germany. Krämer is the author or co-editor of nine academic books.