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Acclaimed writer Rebecca Solnit and photographer Susan Schwartzenberg survey San Francisco's transformation through gentrification in the early millenium
Schwartzenberg's images survey more than thirty years of upheaval in the name of 'urban renewal,' and Solnit's text brings urgency to the question of whether a place in which artists, activists, and members of diverse races and classes can no longer afford to live is fated to become 'a city of presentation without creation.'
So many of the people who kept American cities alive and creative through dark decades, when capital abandoned the city, have become victims of capital's recent triumphant return to the city. This beautifully composed and crafted book tells their story. It is a compelling vision of our emerging global culture of displaced persons.
Passionate, potent, and to the point, Solnit's polemic embodies American political and social writing at its best.
One day, we all woke up and San Francisco had become a bohemian entertainment park, without bohemians. Those were the golden days of virtual capitalism. Rebecca Solnit and Susan Schwartzenberg help us to understand why this happened. Their book is necessary to understanding our new place in a brand new scary world.
Nearly 20 years ago, long-time San Francisco resident Rebecca Solnit, in her Hollow City: The Siege of San Francisco and the Crisis of American Urbanism, described the coming gentrification, privatization, and homogenization and subsequent hollowing out of a vibrant metropolis. This is a prescient book of linked essays, illustrated with photographs by Susan Schwartzenberg.
Writer, historian, and activist Rebecca Solnit is the author of twenty books on feminism, western and indigenous history, popular power, social change and insurrection, wandering and walking, hope and disaster, including a trilogy of atlases and the books The Mother of All Questions, Hope in the Dark, Men Explain Things to Me; The Faraway Nearby; A Paradise Built in Hell: The Extraordinary Communities that Arise in Disaster; A Field Guide to Getting Lost; Wanderlust: A History of Walking; and River of Shadows, Eadweard Muybridge and the Technological Wild West (for which she received a Guggenheim, the National Book Critics Circle Award in criticism, and the Lannan Literary Award).
A product of the California public education system from kindergarten to graduate school, she is a columnist at Harper's.
Schwartzenberg's images survey more than thirty years of upheaval in the name of 'urban renewal,' and Solnit's text brings urgency to the question of whether a place in which artists, activists, and members of diverse races and classes can no longer afford to live is fated to become 'a city of presentation without creation.'
So many of the people who kept American cities alive and creative through dark decades, when capital abandoned the city, have become victims of capital's recent triumphant return to the city. This beautifully composed and crafted book tells their story. It is a compelling vision of our emerging global culture of displaced persons.
Passionate, potent, and to the point, Solnit's polemic embodies American political and social writing at its best.
One day, we all woke up and San Francisco had become a bohemian entertainment park, without bohemians. Those were the golden days of virtual capitalism. Rebecca Solnit and Susan Schwartzenberg help us to understand why this happened. Their book is necessary to understanding our new place in a brand new scary world.
Nearly 20 years ago, long-time San Francisco resident Rebecca Solnit, in her Hollow City: The Siege of San Francisco and the Crisis of American Urbanism, described the coming gentrification, privatization, and homogenization and subsequent hollowing out of a vibrant metropolis. This is a prescient book of linked essays, illustrated with photographs by Susan Schwartzenberg.
Writer, historian, and activist Rebecca Solnit is the author of twenty books on feminism, western and indigenous history, popular power, social change and insurrection, wandering and walking, hope and disaster, including a trilogy of atlases and the books The Mother of All Questions, Hope in the Dark, Men Explain Things to Me; The Faraway Nearby; A Paradise Built in Hell: The Extraordinary Communities that Arise in Disaster; A Field Guide to Getting Lost; Wanderlust: A History of Walking; and River of Shadows, Eadweard Muybridge and the Technological Wild West (for which she received a Guggenheim, the National Book Critics Circle Award in criticism, and the Lannan Literary Award).
A product of the California public education system from kindergarten to graduate school, she is a columnist at Harper's.