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Omschrijving
"A terrific subject for our globalist moment."—Jed Perl, New York Review of Books
Winner of the 2020 ALAA-Arvey Foundation Book Award
"Josten's excellent and well-written book fills an important gap in the study of post-war Mexican art."—Yve-Alain Bois, Institute for Advanced Study
“Mathias Goeritz is a vital contribution to the burgeoning scholarship on mid-century Mexican art and cultural politics. Jennifer Josten not only illuminates Goeritz’s contributions to Cold War Mexico, but just as significantly, reveals his importance within artistic circuits across the Americas and the Atlantic.”—Mary Coffey, Dartmouth College
“German émigré artist, architect, scholar, and curator Mathias Goeritz’s eventful life and multifaceted career offers a window into the vibrant artistic culture of post-WWII Mexico City with stops in Madrid, New York, Paris, Tangier, and beyond. By foregrounding transnational exchanges and international circuits the book makes a major overture into what it means to write global history of art.”—Eeva-Liisa Pelkonen, Yale School of Architecture
"A terrific subject for our globalist moment."—Jed Perl, New York Review of Books
Winner of the 2020 ALAA-Arvey Foundation Book Award
"Josten's excellent and well-written book fills an important gap in the study of post-war Mexican art."—Yve-Alain Bois, Institute for Advanced Study
“Mathias Goeritz is a vital contribution to the burgeoning scholarship on mid-century Mexican art and cultural politics. Jennifer Josten not only illuminates Goeritz’s contributions to Cold War Mexico, but just as significantly, reveals his importance within artistic circuits across the Americas and the Atlantic.”—Mary Coffey, Dartmouth College
“German émigré artist, architect, scholar, and curator Mathias Goeritz’s eventful life and multifaceted career offers a window into the vibrant artistic culture of post-WWII Mexico City with stops in Madrid, New York, Paris, Tangier, and beyond. By foregrounding transnational exchanges and international circuits the book makes a major overture into what it means to write global history of art.”—Eeva-Liisa Pelkonen, Yale School of Architecture
Winner of the 2020 ALAA-Arvey Foundation Book Award
"Josten's excellent and well-written book fills an important gap in the study of post-war Mexican art."—Yve-Alain Bois, Institute for Advanced Study
“Mathias Goeritz is a vital contribution to the burgeoning scholarship on mid-century Mexican art and cultural politics. Jennifer Josten not only illuminates Goeritz’s contributions to Cold War Mexico, but just as significantly, reveals his importance within artistic circuits across the Americas and the Atlantic.”—Mary Coffey, Dartmouth College
“German émigré artist, architect, scholar, and curator Mathias Goeritz’s eventful life and multifaceted career offers a window into the vibrant artistic culture of post-WWII Mexico City with stops in Madrid, New York, Paris, Tangier, and beyond. By foregrounding transnational exchanges and international circuits the book makes a major overture into what it means to write global history of art.”—Eeva-Liisa Pelkonen, Yale School of Architecture
"A terrific subject for our globalist moment."—Jed Perl, New York Review of Books
Winner of the 2020 ALAA-Arvey Foundation Book Award
"Josten's excellent and well-written book fills an important gap in the study of post-war Mexican art."—Yve-Alain Bois, Institute for Advanced Study
“Mathias Goeritz is a vital contribution to the burgeoning scholarship on mid-century Mexican art and cultural politics. Jennifer Josten not only illuminates Goeritz’s contributions to Cold War Mexico, but just as significantly, reveals his importance within artistic circuits across the Americas and the Atlantic.”—Mary Coffey, Dartmouth College
“German émigré artist, architect, scholar, and curator Mathias Goeritz’s eventful life and multifaceted career offers a window into the vibrant artistic culture of post-WWII Mexico City with stops in Madrid, New York, Paris, Tangier, and beyond. By foregrounding transnational exchanges and international circuits the book makes a major overture into what it means to write global history of art.”—Eeva-Liisa Pelkonen, Yale School of Architecture
Jennifer Josten is assistant professor in the Department of History of Art and Architecture at the University of Pittsburgh.