Winner of the National Book Critics Circle Award: this is a deeply felt meditation on race, sex, class and American culture by a Pulitzer-prize winning critic.

The masterful Negroland - endlessly impressive and important - is a book of then versus now. Slavery, the Civil War, Civil Rights, the Black Power movement: Jefferson elegantly traverses a rich, often troubling, but surprising historical landscape [...] There's no navel-gazing here. The personal is no longer indistinguishable from the political, but Jefferson achieves that volatile alchemy that's integral to all the finest of memoirs: the transformation of an individual story into something that resonates outside the confines of subjective experience.

A rare insight into upper-class black society in the US... Jefferson's eye for details yields some devastatingly honest and painful insights [and she takes delight] in the subtleties of language, in the choice of the mot juste... Jefferson is striking a path into dangerous, unfamiliar territory

In this compelling, moving and clear-eyed memoir, Jefferson draws on her own experiences and those of previous generations of privileged black Americans to explore complex issues of identity and privilege with insight, compassion and wry wit

Captivating... Much of Negroland has the experimental and experiential quality of jazz... Charm is this book's watchword

It would be too easy to call Negroland a ground breaking work and yet this is exactly what it is. In her descriptions of a life lived on the nexus of race and class Margo Jefferson tells a tale of how people create, defy and survive systems of exclusion and inclusion, of the human toll that must be exacted. Negroland is a work singular in word, form and theme. Compelling and essential reading

Negroland is the record of a powerful mind grappling with all the trouble of being awake. Jefferson's sensibility is both blunt and fine-honed, austere and companionable. A dazzling book

Negroland is a subtle and subversive remembering of elite black life before the age of Civil Rights, a magnificent use of the memoir form, a reminder of insecurities and comfort, where KKK stood both for Ku Klux Klan and three kinds of Kongolene hair-straightening products

A marvellous, complex, stimulating and thought-provoking personal history

Jefferson's memoir pushes against the boundaries of its own genre... Her candor, and the courage and rigor of her critic's mind, recall a number of America's greatest thinkers on race... what we gain from [Negroland] is revelatory

Powerful... Margo Jefferson identifies and deftly explores the tensions that come with being party of America's black elite

Jefferson is a national treasure and her memoir should be required reading

Treads briskly and fearlessly across the treacherous terrain of race, class, gender and entitlement ... [Jefferson] is a poetic and bracing memoirist... Lean, specific and personal... enlightening

Powerful and complicated... There's sinew and grace in the way she plays with memory, dodging here and burning there, like a photographer in a darkroom... Ms. Jefferson will not be denied... With luck, there will be a sequel to this book

Margo Jefferson sees everything and expresses it with surgical clarity. She is the Toqueville of race in America. This is a great book, destined to be read for a century

A masterpiece ... Jefferson has lived and worked like the great reporter she is, traversing a little-known or -understood landscape peopled by blacks and whites, dreamers and naysayers, the privileged and the strivers who make up the mosaic known as America

Poignant... In Negroland, Jefferson is simultaneously looking in and looking out at her blackness, elusive in her terse, evocative reconnaissance, leaving us yearning to know more

[A] meditation on race, sex, class and American culture, told through the prism of the Pulitzer Prize-winning author's memoir of her rarefied upbringing and education as the daughter of a successful paediatrician

A cunningly unexpected addition to the many recent books about race relation... [Jefferson] knows who she is, now, not who someone else wants her to be

It's interesting and sympathetic how Jefferson acknowledges throughout her memoir the complexity of identity. it's also touching how unwilling she is to give in to self pity and maintain a tough critical distance from the deep emotional hurt she experienced while still making the reader achingly aware of the power of her feelings... Jefferson means to provoke thought and discussion about the subject - something which is ongoing and necessary. It's tremendous strength of this book that it doesn't lapse into didacticism, but instead prompted me to feel more awareness of how people might or might not change their behaviour based on racial differences. It made me think about how marginalized groups in our society don't exist on one level but inhabit different spheres of repression and discrimination... This is a powerful and thought-provoking memoir.

Negroland is a superb book. Non-fiction books that meld genres seem to be having a bit of a moment but what this one does differently is consider the intersections of race, class and gender in a way I haven't seen before. It's a fascinating read and an insight into an underexplored area of society. Highly recommended.

Unable to disentangle the political from the personal, Jefferson has combined social history with autobiography in this remarkable book. She opens a window on a section of American society that's little-known on this side of the Atlantic... A New York Times and Newsweek critic of many years' standing, she's written an examination of her life and times that's revelatory and keenly self-aware.

An exploration of a mesh of complex cultural identities, a tangle of class, race, gender and appearance... Nuanced emotion and unforgiving observation, combined with stylistic risk-taking, might not guarantee comfortable reading, but they make Negroland utterly compelling. Jefferson's is a reluctant memoir, but had she not written in, we would have been deprived of a remarkable achievement.

Jefferson combines her own memories with elements of the broader academic history of black communities in America, slavery and societal structures... It is an important and deeply interesting text on a little known slice of history.

A fascinating account of the Pulitzer Prize-winning critic's upbringing among Chicago's black elite community. It's an intriguing look at the way race and class interplay in the United States... It's sharp, thoughtful stuff, unafraid and honest, making Negroland an important as well as engrossing read.

Negroland is a sharp-eyed cultural commentary on an era of America that has often been too simply told.

Jefferson writes with piercing clarity of a childhood which was full of love and opportunity at home, but also saturated by contradictions, confusions and a racism which corrodes, like rust, to the heart's core.

[An] extraordinary book dissecting [...] race, class and gender at a pivotal moment in American history. But to call it a memoir is to sell it short: Jefferson constantly chafes at the edges of the form, refusing to play by the rules in a way that gently but absolutely prohibits complacency on the reader's part. Shortlisted for the 2016 Baillie Gifford Prize, this is a slim book, but one that makes a deep and lasting impression

The winner of a Pulitzer Prize for criticism, MARGO JEFFERSON writes for the Guardian, Vogue and The New York Times, among other publications. Her recent memoir, Negroland, was shortlisted for the Baillie Gifford Prize for Non-Fiction, awarded the National Book Critics Circle Award for Memoir, and was serialised on BBC Radio 4's 'Book of the Week'. She is a professor of writing at Columbia University School of the Arts.