On Chesil Beach
Ian McEwan
On Chesil Beach
Ian McEwan
Paperback
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Engels
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Omschrijving
It is July 1962. Edward and Florence, young innocents married that morning, arrive at a hotel on the Dorset coast. At dinner in their rooms they struggle to suppress their private fears of the wedding night to come and, unbeknownst to them both, the events of the evening will haunt them for the rest of their lives.
Wonderful...exquisite...devastating
Exquisitely crafted
Superb... The protagonists have everything to lose, and their faltering journey towards a point of no return is conjured into life my McEwan with irresistible subtlety, tact and force
On Chesil Beach is more than an event. It is a masterpiece
This is McEwan's mature style, one we have come to recognise from Atonement and Saturday. It is a polished, civilised style, and very distant from the shock tactics of his early work... McEwan brings Florence and Edward touchingly alive for us; and their seriousness, their idealism, and their desire for love draw us towards them
To commend an author for being reminiscent of Edith Wharton is a compliment that this reviewer reserves for a select few. Yet with On Chesil Beach, Ian McEwan has earnt it
A master feat of concentration in both senses of the word
Written with a fierce pursuit of the truth and an utterly modern self-awareness, what a confidant tour de force this turns out to be
One of our greatest living writers. Many Easter weekends and train journeys will be enlivened by a compelling novella
It is a masterpiece. The very idea that informs it, fascinating and unfamiliar, is masterly
A didactic, ironic novella of great accomplishment and calculated ambition. Structurally and linguistically, it is a triumph...intriguingly compassionate
It is a measure of McEwan's artistry that he is able here both to linger in the recording of sensuous particularities and at the same time to deliver the satisfactions of plot we are accustomed to deriving from his fiction
McEwan shares with his fellow English novelist Jim Crace not only an interest in history but in finding a style in prose that is slow-moving, yet compelling, at times stilted and dry, and then suddenly sharp and precise
The protagonists of On Chesil Beach have everything to lose, and their faltering journey towards a point of no return is conjured into life by McEwan with irresistible subtlety, tact and force
The book is steeped in lost hopes and disappointments, with each sentence as powerful as a Larkin poem. I didn't know a British novelist could still be this good
McEwan is word-perfect at handling the awkward comedy of this relationship and, as ever, turning it into something far more disturbing
Two characters so vibrant they step straight off the page
McEwan's brilliance as a novelist lies in his ability to isolate discrete moments in life and invest them with incredible significance
McEwan's style is lean and clear...every sentence feels carefully crafted, the words all perfectly in place
A tightly focused human drama... McEwan gives the reader access to both characters' thoughts with his usual skill, and the comedy of embarrassment, or of the kind of erotic misunderstanding that Milan Kundera used to specialise in, quickly disappears as the marital bed begins to seem more and more ominous... The bedroom scene itself is carried off brilliantly
Ian McEwan is the critically acclaimed author of seventeen books. His first published work, a collection of short stories, First Love, Last Rites, won the Somerset Maugham Award. His novels include The Child in Time, which won the 1987 Whitbread Novel of the Year Award; The Cement Garden; Enduring Love; Amsterdam, which won the 1998 Booker Prize; Atonement; Saturday; On Chesil Beach; Solar; Sweet Tooth; The Children Act; and Nutshell, which was a Number One bestseller. Atonement and Enduring Love have both been turned into award-winning films, The Children Act and On Chesil Beach are in production and set for release this year, and filming is currently underway for a BBC TV adaptation of The Child in Time.
Wonderful...exquisite...devastating
Exquisitely crafted
Superb... The protagonists have everything to lose, and their faltering journey towards a point of no return is conjured into life my McEwan with irresistible subtlety, tact and force
On Chesil Beach is more than an event. It is a masterpiece
This is McEwan's mature style, one we have come to recognise from Atonement and Saturday. It is a polished, civilised style, and very distant from the shock tactics of his early work... McEwan brings Florence and Edward touchingly alive for us; and their seriousness, their idealism, and their desire for love draw us towards them
To commend an author for being reminiscent of Edith Wharton is a compliment that this reviewer reserves for a select few. Yet with On Chesil Beach, Ian McEwan has earnt it
A master feat of concentration in both senses of the word
Written with a fierce pursuit of the truth and an utterly modern self-awareness, what a confidant tour de force this turns out to be
One of our greatest living writers. Many Easter weekends and train journeys will be enlivened by a compelling novella
It is a masterpiece. The very idea that informs it, fascinating and unfamiliar, is masterly
A didactic, ironic novella of great accomplishment and calculated ambition. Structurally and linguistically, it is a triumph...intriguingly compassionate
It is a measure of McEwan's artistry that he is able here both to linger in the recording of sensuous particularities and at the same time to deliver the satisfactions of plot we are accustomed to deriving from his fiction
McEwan shares with his fellow English novelist Jim Crace not only an interest in history but in finding a style in prose that is slow-moving, yet compelling, at times stilted and dry, and then suddenly sharp and precise
The protagonists of On Chesil Beach have everything to lose, and their faltering journey towards a point of no return is conjured into life by McEwan with irresistible subtlety, tact and force
The book is steeped in lost hopes and disappointments, with each sentence as powerful as a Larkin poem. I didn't know a British novelist could still be this good
McEwan is word-perfect at handling the awkward comedy of this relationship and, as ever, turning it into something far more disturbing
Two characters so vibrant they step straight off the page
McEwan's brilliance as a novelist lies in his ability to isolate discrete moments in life and invest them with incredible significance
McEwan's style is lean and clear...every sentence feels carefully crafted, the words all perfectly in place
A tightly focused human drama... McEwan gives the reader access to both characters' thoughts with his usual skill, and the comedy of embarrassment, or of the kind of erotic misunderstanding that Milan Kundera used to specialise in, quickly disappears as the marital bed begins to seem more and more ominous... The bedroom scene itself is carried off brilliantly
Ian McEwan is the critically acclaimed author of seventeen books. His first published work, a collection of short stories, First Love, Last Rites, won the Somerset Maugham Award. His novels include The Child in Time, which won the 1987 Whitbread Novel of the Year Award; The Cement Garden; Enduring Love; Amsterdam, which won the 1998 Booker Prize; Atonement; Saturday; On Chesil Beach; Solar; Sweet Tooth; The Children Act; and Nutshell, which was a Number One bestseller. Atonement and Enduring Love have both been turned into award-winning films, The Children Act and On Chesil Beach are in production and set for release this year, and filming is currently underway for a BBC TV adaptation of The Child in Time.