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A rich and powerful exploration of desire, sin and redemption, by one of our best chroniclers of faith in the 21st century
I enjoyed it enormously. The story is so interesting, the theme so important and pertinent, and the fluency and lightness of touch so engaging to read.
Past sins, present values, forgiveness and redemption all inform this subtle modern morality tale . . . A compelling read.
An absorbing novel, a mature and important work . . . [Arditti] has given us a novel very much for our time, good enough to be for all time, too
The Choice is an intelligent and entertaining novel that handles lightly problems of great moral weight. Clarissa faces many hard choices and unearths many horrors, but in the end, for her and for the reader, it is all worth it.
A book that probes any number of aggressive varieties of moralism, while testing the reader's own moral alertness for rigour, realism and generosity. An engrossing, three-dimensional, grown-up narrative.
In a novel bursting with intellectual richness and joyously acidic dialogue, it's fitting he ends on a deliciously poised note - a question rather than an answer
A serious and important writer
Michael Arditti's magnificent novel is the first to place a woman priest at the centre of what proves to be an irresistibly readable, thoughtful and characteristically witty examination of the quandaries and compromises faced by the Church of England in an era of decline . . . I loved this book for its lightness of touch about serious subjects and for dialogue that glitters like clashing rapiers.
Arditti has delivered a complex moral fable with skill and aplomb
At a time when British fiction has never been more timorous about tackling novels of ideas, Michael Arditti has produced one worthy of Iris Murdoch and Graham Greene . . . Brilliantly ambiguous, waspishly witty and thoroughly enjoyable, this is Michael Arditti's own masterpiece to date.
Arditti's fondness for comic flourishes adds levity to what is not infrequently a discomforting exploration of art, religion and morality - one that, with the fate of artist Eric Gill's oeuvre back In the headlines, feels very current
Challenging, mischievous and enormously satisfying.
Michael Arditti is a novelist, short story writer and critic. His novels are The Celibate (1993), Pagan and her Parents (Pagan's Father in the USA) (1996), Easter (2000), Unity (2005), A Sea Change (2006), The Enemy of the Good (2009), Jubilate (2011), The Breath of Night (2013), Widows and Orphans (2016), Of Men and Angels (2018) and The Anointed (2020). His short story collection, Good Clean Fun, was published in 2004. He was awarded a Harold Hyam Wingate scholarship in 2000, a Royal Literary Fund fellowship in 2001, an Oppenheim-John Downes memorial award in 2003 and Arts Council awards in 2004 and 2007. He was the Leverhulme artist in residence at the Freud museum in 2008. His novels have been short- and long-listed for several literary awards and Easter won the inaugural Waterstone's Mardi Gras award. In 2012 he was awarded an Honorary DLitt by the University of Chester.