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The girl with the dragon tattoo is back: Lisbeth Salander and Mikael Blomkvist return in the #1 bestselling continuation of Stieg Larsson's Millennium series.
Lagercrantz has constructed an elegant plot around different concepts of intelligence . . . his continuation, while never formulaic, is a cleaner and tighter read than the originals . . . Without ever becoming pastiche, the book is a respectful and affectionate homage to the originals.
As I read Lagercrantz's The Girl in the Spider's Web, I found that I kept forgetting for several pages at a time that I wasn't reading genuine Larsson . . . One devours Larsson's books for the plots, the action, the anger, and most of all for Lisbeth Salander . . . Lagercrantz has caught her superbly, and expertly spun the sort of melodramatic yarn in which she can thrive.
Fans of Stieg Larsson's captivating odd couple of modern detective fiction - the genius punk hacker Lisbeth Salander and her sometime partner, the crusading investigative journalist Mikael Blomkvist - will not be disappointed . . . Salander and Blomkvist have survived the authorship transition intact and are just as compelling as ever.
Elegantly paced, slickly executed, and properly thrilling.
First, the conclusion. David Lagercrantz has done well . . .The Girl in the Spider's Web conveys the essence and atmosphere of Larsson's Millennium novels. He has captured the spirit of their characters and devised inventive plots, most of them suitably exaggerated . . . On the evidence of Spider's Web, most Millennium fans will want to continue following their Lisbeth.
Lagercrantz's real achievement here is the subtle development of Lisbeth's character; he allows us access to her complex, alienated world but is careful not to remove her mystery and unknowability. Lisbeth Salander remains, in Lagercrantz's hands, the most enigmatic and fascinating anti-heroine in fiction.
Rest easy, Lisbeth Salander fans - our punk hacker heroine is in good hands . . . Swedish crime novelist David Lagercrantz takes the reins with prowess, not only mimicking Larsson's shamelessly pulpy prose, but admirably expanding the deliciously depraved world of the novels.
David Lagercrantz was born in 1962, and is an acclaimed author and journalist. In 2015 The Girl in the Spider's Web (2015), his continuation of Stieg Larsson's Millennium Trilogy, became a worldwide bestseller and was made into a film by Sony Pictures (2018). He is the author of the acclaimed and bestselling I am Zlatan Ibrahimovic, Fall of Man in Wilmslow, and the fifth and sixth books in the Millennium series, The Girl Who Takes an Eye for an Eye (2017) and The Girl Who Lived Twice (2019). Dark Music, the first Rekke and Vargas Investigation, will be published in the UK in 2022. George Goulding was born in Stockholm, educated in England, and spent his legal career working for a London-based law firm. He is now a translator of Swedish literature into English, including David Lagercrantz's continuations of the Millennium trilogy by Stieg Larsson.
Lagercrantz has constructed an elegant plot around different concepts of intelligence . . . his continuation, while never formulaic, is a cleaner and tighter read than the originals . . . Without ever becoming pastiche, the book is a respectful and affectionate homage to the originals.
As I read Lagercrantz's The Girl in the Spider's Web, I found that I kept forgetting for several pages at a time that I wasn't reading genuine Larsson . . . One devours Larsson's books for the plots, the action, the anger, and most of all for Lisbeth Salander . . . Lagercrantz has caught her superbly, and expertly spun the sort of melodramatic yarn in which she can thrive.
Fans of Stieg Larsson's captivating odd couple of modern detective fiction - the genius punk hacker Lisbeth Salander and her sometime partner, the crusading investigative journalist Mikael Blomkvist - will not be disappointed . . . Salander and Blomkvist have survived the authorship transition intact and are just as compelling as ever.
Elegantly paced, slickly executed, and properly thrilling.
First, the conclusion. David Lagercrantz has done well . . .The Girl in the Spider's Web conveys the essence and atmosphere of Larsson's Millennium novels. He has captured the spirit of their characters and devised inventive plots, most of them suitably exaggerated . . . On the evidence of Spider's Web, most Millennium fans will want to continue following their Lisbeth.
Lagercrantz's real achievement here is the subtle development of Lisbeth's character; he allows us access to her complex, alienated world but is careful not to remove her mystery and unknowability. Lisbeth Salander remains, in Lagercrantz's hands, the most enigmatic and fascinating anti-heroine in fiction.
Rest easy, Lisbeth Salander fans - our punk hacker heroine is in good hands . . . Swedish crime novelist David Lagercrantz takes the reins with prowess, not only mimicking Larsson's shamelessly pulpy prose, but admirably expanding the deliciously depraved world of the novels.
David Lagercrantz was born in 1962, and is an acclaimed author and journalist. In 2015 The Girl in the Spider's Web (2015), his continuation of Stieg Larsson's Millennium Trilogy, became a worldwide bestseller and was made into a film by Sony Pictures (2018). He is the author of the acclaimed and bestselling I am Zlatan Ibrahimovic, Fall of Man in Wilmslow, and the fifth and sixth books in the Millennium series, The Girl Who Takes an Eye for an Eye (2017) and The Girl Who Lived Twice (2019). Dark Music, the first Rekke and Vargas Investigation, will be published in the UK in 2022. George Goulding was born in Stockholm, educated in England, and spent his legal career working for a London-based law firm. He is now a translator of Swedish literature into English, including David Lagercrantz's continuations of the Millennium trilogy by Stieg Larsson.