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Omschrijving
A major intervention in media studies theorizes the politics and aesthetics of internet video
Throughout the book, Snowdon practices an ethics of close reading that rejects critical habits of regarding images with suspicion. The People Are Not an Image charts hopeful trajectories for several areas of inquiry, from the politics of protest media and self-representation to networked distribution, operational images, and the digital remaking of subjectivity. Yet Snowdon's ultimate project is more ambitious-to reshape his readers' political imaginaries.
Peter Snowdon provides a radical philosophical approach to the daily videos produced by the ordinary people of the Arab spring
The People Are Not an Image has significance for scholars but will also find wider audience appeal with, for example, digital media activists, filmmakers, and human rights advocates. It will be especially relevant to digital media and communication scholars and students with an interest in activism, social movements, and visual politics.
This book makes a much-needed intervention in media studies in the Arab regions since 2011, and is a crucial read for all students of media and film studies.
Peter Snowdon is a filmmaker and researcher. His feature-length film The Uprising, based entirely on YouTube videos from the Arab revolutions, was awarded the Opus Bonum Award for best world documentary at the Jihlava International Documentary Film Festival and has screened at more than 30 festivals around the world. From 1997 to 2000 he lived in Cairo, where he was on the staff of Al-Ahram Weekly, and his writing on Arab politics and film has appeared in Open Democracy and Le Monde diplomatique. Peter has lived and worked in Egypt, Palestine, and France, and is currently based in Belgium, where he teaches filmmaking in the visual anthropology programme at Leiden University.
Throughout the book, Snowdon practices an ethics of close reading that rejects critical habits of regarding images with suspicion. The People Are Not an Image charts hopeful trajectories for several areas of inquiry, from the politics of protest media and self-representation to networked distribution, operational images, and the digital remaking of subjectivity. Yet Snowdon's ultimate project is more ambitious-to reshape his readers' political imaginaries.
Peter Snowdon provides a radical philosophical approach to the daily videos produced by the ordinary people of the Arab spring
The People Are Not an Image has significance for scholars but will also find wider audience appeal with, for example, digital media activists, filmmakers, and human rights advocates. It will be especially relevant to digital media and communication scholars and students with an interest in activism, social movements, and visual politics.
This book makes a much-needed intervention in media studies in the Arab regions since 2011, and is a crucial read for all students of media and film studies.
Peter Snowdon is a filmmaker and researcher. His feature-length film The Uprising, based entirely on YouTube videos from the Arab revolutions, was awarded the Opus Bonum Award for best world documentary at the Jihlava International Documentary Film Festival and has screened at more than 30 festivals around the world. From 1997 to 2000 he lived in Cairo, where he was on the staff of Al-Ahram Weekly, and his writing on Arab politics and film has appeared in Open Democracy and Le Monde diplomatique. Peter has lived and worked in Egypt, Palestine, and France, and is currently based in Belgium, where he teaches filmmaking in the visual anthropology programme at Leiden University.