The diaries that are the source of David Sedaris' remarkable and bestselling autobiographical stories.
'He's like an American Alan Bennett' Guardian
The writing here is funnier, (even) sharper . . .
There isn't a dull word among these pagesCould there be a more delightful American import than the memoirist David Sedaris? Not since the peanut butter and jelly sandwich have we inherited something so sweet and comforting yet so wickedly naughty
This first of two volumes of his copious diaries takes us from 1977 to 2002, and sees him grow from a despondent
21-year-old in menial jobs into the man recognised as possibly the best humorist of the 2000s
So often Sedaris's phrasing is beautiful in its piquancy and minimalism...His life is extraordinary in so many ways - the drug addiction, the eccentric family, the crazy jobs, the fame, the globetrotting - but one of the more unlikely achievements here is in making it all seem quite ordinary.
Ultimately, his masterstroke is in acting as a bystander in his own storyHe is the American Alan Bennett - or would be, if Bennett had a history of serious substance abuse and a higher tolerance for sick humour
He makes me laugh so much. In an era when US satire is outpacing our own he's
a sharp, humane and hilarious voice that never fails to make you smile - and sometimes weep. Apparently effortless humour is difficult, and precious.
He's the real thingA deadpan, darkly comical portrait of the American underbelly . . .
Sedaris shares something of [Alan] Bennett's detached curiosity, and they both have a thirst for amusement
It's like gossiping with an old friend - if that friend were a rather sexy American Alan Bennett with lots of good drug stories
Cool, very funnv, sardonic, yet open . . . there is an echo of Truman Capote or Tennessee Williams - with extra quirk. Or even Lewis Carroll . . .
one of the biggest comedy writers of his generationJust as in his essays and stories, the young Sedaris is both scandalising and scandalised, surprisingly profound, and very, very funny . . . Sedaris fans will not be surprised to know that he can do darkness and profundity as well as humour.
Theft by Finding is full of all three, but
what makes it so good is Sedaris's gift for sidling up them all from the least expected angleA
typically hilarious first volume of diaries from the brilliant American humourist
There are some passages in the diaries that remind me that his perspective on life and family, being gay and being an artist were there from the start. That savage, biting commentary, as well as deep reserves of compassion, are all there.
I can pick up any collection of David Sedaris's essays and be very happy. He keeps surprising me with how much, after all these years, he still really makes me laughTheft By Finding is
an eye-opening journey through crazy jobs, geographic transitions, family dynamics and homophobic prejudiceDavid Sedaris will make you properly laugh -
his new diaries are pure joySedaris's gift is to make you stop and think one moment and laugh out loud the next
The perfect book to dip in and out of in between dipping in and out of the pool
It's a pretty perfect encapsulation of all that is great and hilarious about him as a writer
Hilarious . . . with Sedaris a now-established bestselling author and world traveler, the prickly Southern wit is still intact and sparkling
It's an astounding feat to stay funny-wildly, wickedly, ingeniously so-for more than 20 years. Yet David Sedaris has somehow pulled it off . . . with eviscerating wit and radiant humanity . . . Fans will no doubt delight in the entries that will turn into Sedaris's most beloved essays
A master of incisive and comic cultural criticism . . . Theft by Finding reveals intimate details of this literary luminary's life and mind-all told with his singular sense of humor
It is the ultimate Sedaris source book. Observant, diligent, funny - proof, yet again, that life is a lot stranger than fiction
David Sedaris is the author of twelve previous books, including, most recently, A Carnival of Snackery, The Best of Me, and Calypso. He is a regular contributor to the New Yorker and BBC Radio 4. In 2019, he was inducted into the American Academy of Arts and Letters. He is the recipient of the Thurber Prize for American Humor, the Jonathan Swift Prize for Satire and Humor, and the Terry Southern Prize for Humor.