Omschrijving
Barbadian tuk music, a type of fife and drum music, has been transformed in the post-independence period from a working class music associated with plantations and rum shops to a signifier of national culture, played at official functions and showcased to tourists. Based on ethnographic and archival research, Sharon Meredith considers the social, p
Sharon Meredith is an ethnomusicologist with research interests in the Caribbean, including the revival and recontextualisation of traditional musics as popular culture in postcolonial contexts, particularly fife and drum type musics. She graduated with a PhD from the Centre for Caribbean Studies, University of Warwick, UK in 2003.