‘Among the chapters specifically focused upon de la Mare, Angela Leighton’s on the “riddling” nature of his work, and Mark Valentine on the “ghostliness” of the writing are especially rewarding. The chapter by Yui Kajita on de la Mare and Hardy pays scrupulous attention to a writer whose prose and poetry would loom large in the imagination of the Georgians and the Dymock group… this extensive critical and biographical reconsideration of Walter de la Mare will help to revive radically our understanding of the aesthetic and thematic influence he exerted at this crucial time.’ Roger Ebbatson, Journal of the Friends of the Dymock Poets