Witchcraft and its Transformations, c.1650-c.1750
Ian Bostridge
Witchcraft and its Transformations, c.1650-c.1750
Ian Bostridge
Hardback / gebonden
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Engels
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Omschrijving
Presents an original and important study of the significance of witchcraft in English public life in the seventeenth and eighteenth centuries. The author explores contemporary beliefs about witchcraft and shows how it remained a serious concern across the spectrum of political opinion.
arresting and thought-provoking book./ IWitchcraft and its TransformationsI is quite a Itour de forceI, full of fascinating insights,... it represents the best account currently available of Defoe's thought on such subjects; it gives a perceptive account of the imagery of witchcraft in popular prints in the eighteenth century./ Michael Hunter, Birkbeck College, London, Eighteenth Century Life, Vol 22, no. 2, May 1998.
he does provide some valuable suggestions supported by highly selective but interesting texts ... Bostridge draws on a wide range of philosophers and political and religious thinkers.
a scholarly book to be published in May
Ian Bostridge offers a challenging new perspective.
learned, sound, unswervingly focused on the elite, and devoid of any violently original ideas likely to upset his mentors ... The queasy relationship between words and witches awaits further invesigation, but Bostridge has made an interesting beginning.
this is clearly a very significant work, characterized throughout by the deployment of a keen historical imagination allied to a scrupulous regard for evidence ... Perhaps the greatest contribution of this book, however, is the intellectual history approach to English witchcraft ...
Bostridge challenges the traditional argument that belief in witchcraft among educated elites was waning in the second half of the seventeenth century. Bostridge leaves no doubt that among the educated, withcraft was taken seriously long after the restoration. A diachronic analysis of witchcraft beliefs, emphasizing the time when they lost their intellectual respectability.
Ian Bostridge is a young British tenor making his mark on the opera and concert stage. He sings full-time, but is also writing a book, provisionally entitled "Being a Singer", to be published by Methuen in 1998.
arresting and thought-provoking book./ IWitchcraft and its TransformationsI is quite a Itour de forceI, full of fascinating insights,... it represents the best account currently available of Defoe's thought on such subjects; it gives a perceptive account of the imagery of witchcraft in popular prints in the eighteenth century./ Michael Hunter, Birkbeck College, London, Eighteenth Century Life, Vol 22, no. 2, May 1998.
he does provide some valuable suggestions supported by highly selective but interesting texts ... Bostridge draws on a wide range of philosophers and political and religious thinkers.
a scholarly book to be published in May
Ian Bostridge offers a challenging new perspective.
learned, sound, unswervingly focused on the elite, and devoid of any violently original ideas likely to upset his mentors ... The queasy relationship between words and witches awaits further invesigation, but Bostridge has made an interesting beginning.
this is clearly a very significant work, characterized throughout by the deployment of a keen historical imagination allied to a scrupulous regard for evidence ... Perhaps the greatest contribution of this book, however, is the intellectual history approach to English witchcraft ...
Bostridge challenges the traditional argument that belief in witchcraft among educated elites was waning in the second half of the seventeenth century. Bostridge leaves no doubt that among the educated, withcraft was taken seriously long after the restoration. A diachronic analysis of witchcraft beliefs, emphasizing the time when they lost their intellectual respectability.
Ian Bostridge is a young British tenor making his mark on the opera and concert stage. He sings full-time, but is also writing a book, provisionally entitled "Being a Singer", to be published by Methuen in 1998.