The World Broke in Two
Virginia Woolf, T. S. Eliot, D. H. Lawrence, E. M. Forster and the Year that Changed Literature
Bill Goldstein
The World Broke in Two
Virginia Woolf, T. S. Eliot, D. H. Lawrence, E. M. Forster and the Year that Changed Literature
Bill Goldstein
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This is a brilliant book about the birth of modernism, one that taught me something on every page ... You will feel – and be! – much smarter after you read it
This is a brilliant book about the birth of modernism, one that taught me something on every page ... You will feel – and be! – much smarter after you read it
A fascinating and engrossing tale ... Goldstein creates an original, moving and at times wryly amusing account of four literary demi-gods during the course of these few months that shaped a new direction in English literature, incorporating a wealth of detail which builds, layer upon layer, until the picture is satisfyingly complete
A splendidly written chronicle of 1922 and the birth of literary modernism
Goldstein’s triumph is the way he evokes these great writers as real people in all their banality and oddness … his book is wonderfully readable and full of top-notch gossip
Goldstein flits between writers, charting the progress of his sorry quartet towards fulfilment as though following plot strands in a soap opera … brilliantly researched and splendidly written
The intimate peek into the lives, rivalries, and heartbreaks of these celebrated writers sustains an entertaining story about how great literature is made, and will please scholars and hardcore fans alike
Goldstein writes assuredly and well of the work of his chosen four exemplars... and he brings fresh eyes to all of them. An engaging, lightly worn literary study
Goldstein's ardently detailed, many-faceted story of a pivotal year illuminates all that these tormented visionaries had to overcome to "make the modern happen"
Goldstein has done tremendous and valid work here to find the small but crucial changes in these writers’ lives that resulted in their various attempts to capture consciousness on the page
The World Broke in Two beautifully captures a seismic moment of cultural rupture that, despite its shock and awe, left something new and exciting in its path
The enduring interest of 1922 lies in the brilliance, madness, beauty, comedy and devastation with which writers that year fused the fragments of the ages to a noisily vapid postwar present … Readers who, from sources other than Goldstein, know these monuments – haunting and inscrutable, vital and deathly, visceral and recondite, funny and weird – will cherish the immediacy that “The World Broke in Two” brings to the biographies of their creators
Scholarly … Goldstein traces his subjects’ activities during the year to show how they reached breakthroughs that got their careers back on track
Brilliant, compelling, incisive. It transforms our understanding of modern literature
Stunningly written ... The World Broke in Two brilliantly illuminates the adventure that is the creative process
The World Broke in Two is a gem of collective – and interwoven – biography. Like the great modernists of fiction, Bill Goldstein pays keen imaginative attention to simultaneity; he surveys the literary landscape, and these four great peaks upon it, as if he were the pilot flying that famous airplane over Mrs. Dalloway. The reader is made to see the writers – paused, burgeoning, and on the brink – in strong relationship to one another. The result is a view and vision we've not had before
The World Broke in Two is more fun to read than it has any right to be. Its subject – the overlapping neuroses, illnesses, and inspirations of four 20th Century greats – would seem familiar territory. But Bill Goldstein is such a companionable writer and his narrative is so full of telling detail that we encounter each of these writers anew. The result is a book that anyone interested in the vicissitudes of the writing life – then or now – will read with hunger. Like all good accounts of writing, it draws us back to the books themselves.
What a masterpiece this book is! So captivating, so original, so full of energy, insights and analysis! Bill Goldstein's brilliant work will be read with great pleasure not only by those who think they already know his famous subjects, but by all readers who love history and biography
Bill Goldstein is the founding editor of the The New York Times books website and the book critic for the weekend edition of WNBC's Today in New York. He is also curator of public programs at Roosevelt House, the public policy institute of New York's Hunter College. A graduate of the University of Chicago, he received a PhD in English from City University of New York Graduate Center in 2010, and is the recipient of writing fellowships at MacDowell, Yaddo, Ucross and elsewhere. He lives in New York.
This is a brilliant book about the birth of modernism, one that taught me something on every page ... You will feel – and be! – much smarter after you read it
A fascinating and engrossing tale ... Goldstein creates an original, moving and at times wryly amusing account of four literary demi-gods during the course of these few months that shaped a new direction in English literature, incorporating a wealth of detail which builds, layer upon layer, until the picture is satisfyingly complete
A splendidly written chronicle of 1922 and the birth of literary modernism
Goldstein’s triumph is the way he evokes these great writers as real people in all their banality and oddness … his book is wonderfully readable and full of top-notch gossip
Goldstein flits between writers, charting the progress of his sorry quartet towards fulfilment as though following plot strands in a soap opera … brilliantly researched and splendidly written
The intimate peek into the lives, rivalries, and heartbreaks of these celebrated writers sustains an entertaining story about how great literature is made, and will please scholars and hardcore fans alike
Goldstein writes assuredly and well of the work of his chosen four exemplars... and he brings fresh eyes to all of them. An engaging, lightly worn literary study
Goldstein's ardently detailed, many-faceted story of a pivotal year illuminates all that these tormented visionaries had to overcome to "make the modern happen"
Goldstein has done tremendous and valid work here to find the small but crucial changes in these writers’ lives that resulted in their various attempts to capture consciousness on the page
The World Broke in Two beautifully captures a seismic moment of cultural rupture that, despite its shock and awe, left something new and exciting in its path
The enduring interest of 1922 lies in the brilliance, madness, beauty, comedy and devastation with which writers that year fused the fragments of the ages to a noisily vapid postwar present … Readers who, from sources other than Goldstein, know these monuments – haunting and inscrutable, vital and deathly, visceral and recondite, funny and weird – will cherish the immediacy that “The World Broke in Two” brings to the biographies of their creators
Scholarly … Goldstein traces his subjects’ activities during the year to show how they reached breakthroughs that got their careers back on track
Brilliant, compelling, incisive. It transforms our understanding of modern literature
Stunningly written ... The World Broke in Two brilliantly illuminates the adventure that is the creative process
The World Broke in Two is a gem of collective – and interwoven – biography. Like the great modernists of fiction, Bill Goldstein pays keen imaginative attention to simultaneity; he surveys the literary landscape, and these four great peaks upon it, as if he were the pilot flying that famous airplane over Mrs. Dalloway. The reader is made to see the writers – paused, burgeoning, and on the brink – in strong relationship to one another. The result is a view and vision we've not had before
The World Broke in Two is more fun to read than it has any right to be. Its subject – the overlapping neuroses, illnesses, and inspirations of four 20th Century greats – would seem familiar territory. But Bill Goldstein is such a companionable writer and his narrative is so full of telling detail that we encounter each of these writers anew. The result is a book that anyone interested in the vicissitudes of the writing life – then or now – will read with hunger. Like all good accounts of writing, it draws us back to the books themselves.
What a masterpiece this book is! So captivating, so original, so full of energy, insights and analysis! Bill Goldstein's brilliant work will be read with great pleasure not only by those who think they already know his famous subjects, but by all readers who love history and biography
Bill Goldstein is the founding editor of the The New York Times books website and the book critic for the weekend edition of WNBC's Today in New York. He is also curator of public programs at Roosevelt House, the public policy institute of New York's Hunter College. A graduate of the University of Chicago, he received a PhD in English from City University of New York Graduate Center in 2010, and is the recipient of writing fellowships at MacDowell, Yaddo, Ucross and elsewhere. He lives in New York.