Writing the Pre-Raphaelites
Text, Context, Subtext
Writing the Pre-Raphaelites
Text, Context, Subtext
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Omschrijving
' ... a highly sophisticated, inventive, scholarly, and desirable collection of essays... With an international line-up of this calibre this book will become de rigeur for anybody working in the field, anybody interested in the Pre-Raphaelites, and anybody interested in the idea of the avant garde in the nineteenth century.' Barrie Bullen, University of Reading, UK
’This collection of essays strikes a rarely achieved interpretive balance between Pre-Raphaelite textual and visual production and critical and historical consumption...The essays offer fresh insights...Recommended.’ Choice
'... an exciting new book on Pre-Raphaelitism...' Cahiers victoriens et édouardiens
'The complexities and complicities of art historical practice, both frustrating and enriching, which the contributors have identified in engaging with the Pre-Raphaelite legacy, mark a widening of the scholarship area to include not only the work of art and the artist, but also the networks of production, reception and consumption - which constitutes the collection’s greatest merit.' Pre-Raphaelite Review
' ... a highly sophisticated, inventive, scholarly, and desirable collection of essays... With an international line-up of this calibre this book will become de rigeur for anybody working in the field, anybody interested in the Pre-Raphaelites, and anybody interested in the idea of the avant garde in the nineteenth century.' Barrie Bullen, University of Reading, UK
’This collection of essays strikes a rarely achieved interpretive balance between Pre-Raphaelite textual and visual production and critical and historical consumption...The essays offer fresh insights...Recommended.’ Choice
'... an exciting new book on Pre-Raphaelitism...' Cahiers victoriens et édouardiens
'The complexities and complicities of art historical practice, both frustrating and enriching, which the contributors have identified in engaging with the Pre-Raphaelite legacy, mark a widening of the scholarship area to include not only the work of art and the artist, but also the networks of production, reception and consumption - which constitutes the collection’s greatest merit.' Pre-Raphaelite Review
Dr Michaela Giebelhausen is based at the University of Essex, UK.
Tim Barringer is Paul Mellon Professor in the History of Art at Yale University, USA.