Philosophy of Film Without Theory
Philosophy of Film Without Theory
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“In many ways, this edited collection of eighteen original essays represents both a second wave in post-theory film-thinking, and an entirely new point of departure. … This book follows in the path of titles such as Read and Goodenough’s Film as Philosophy (2005) … as an extremely welcome contribution to the field, whose variety provides much ground for future dialogue.” (Alexis Gibbs, Film and Philosophy, Vol. 28, 2024)
“In many ways, this edited collection of eighteen original essays represents both a second wave in post-theory film-thinking, and an entirely new point of departure. … This book follows in the path of titles such as Read and Goodenough’s Film as Philosophy (2005) … as an extremely welcome contribution to the field, whose variety provides much ground for future dialogue.” (Alexis Gibbs, Film and Philosophy, Vol. 28, 2024)
“In many ways, this edited collection of eighteen original essays represents both a second wave in post-theory film-thinking, and an entirely new point of departure. … This book follows in the path of titles such as Read and Goodenough’s Film as Philosophy (2005) … as an extremely welcome contribution to the field, whose variety provides much ground for future dialogue.” (Alexis Gibbs, Film and Philosophy, Vol. 28, 2024)
Craig Fox is Professor of Philosophy at Pennsylvania Western University, USA. He teaches courses in logic, aesthetics, and the history of philosophy. Recently, he has been working on pieces of an overall project focused on aesthetics as a path into understanding the significance and relevance of Wittgenstein’s later thought.
Britt Harrison is an Independent Scholar with PhDs in philosophy from the University of York, UK, (2022) and the University of Hertfordshire, UK, (2012). She is also a film producer, screenwriter, and script consultant.