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Description
Praise for the book:
"For hooks, radical cultural criticism is rooted in a commitment to black liberation struggle. She examines representations of black people and black life in literature and popular culture to understand how such representations enhance and undermine the capacity of African-Americans to determine their own fate. She focuses, in particular, on the ways in which such representations work to either enslave or liberate blacks, reinforce or challenge racism in whites, and sustain or subvert white supremacy. She also remains critical of the ways in which both women's liberation and black liberation continue to be practiced as if black women did not exist." —Clifford L. Staples, Postmodern Culture (1992)
Praise for the book:
"For hooks, radical cultural criticism is rooted in a commitment to black liberation struggle. She examines representations of black people and black life in literature and popular culture to understand how such representations enhance and undermine the capacity of African-Americans to determine their own fate. She focuses, in particular, on the ways in which such representations work to either enslave or liberate blacks, reinforce or challenge racism in whites, and sustain or subvert white supremacy. She also remains critical of the ways in which both women's liberation and black liberation continue to be practiced as if black women did not exist." —Clifford L. Staples, Postmodern Culture (1992)
A cultural critic, an intellectual, and a feminist writer, bell hooks is best known for classic books including Ain’t I a Woman, Bone Black, All About Love, Rock My Soul, Belonging, We Real Cool, Where We Stand, Teaching to Transgress, Teaching Community, Outlaw Culture, and Reel to Real. hooks is Distinguished Professor in Residence in Appalachian Studies at Berea College, and resides in her home state of Kentucky.