This book uses new source material to reappraise the work of Bill Douglas – one of Britain’s most significant and singular filmmakers. Douglas’s poetic and moving films continue to inspire filmmakers today but his struggles within the film industry raise questions as to whether it is possible to be an artist working within a commercial medium.
The ten essays do a wonderful job of introducing Douglas to a new generation, while expanding our understanding of this multifaceted artist...Douglas emerges as a rounded figure, often full of joy and enthusiasm, constantly active and enjoying collaboration. It's a welcome reappraisal.
Amelia Watts is completing a PhD at the University of Exeter, where her research focuses on the British film industry in the 1970s and 1980s. Her project draws extensively on the work of Scottish writer-director, Bill Douglas, and utilises his largely unseen Working Papers. Phil Wickham is curator of the Bill Douglas Cinema Museum at the University of Exeter. He was previously a curator at the BFI and has written extensively on British film and television. He also teaches film courses at the University.