Dingen van ver
Dave Eggers
Hardback / bound
|
Dutch
€14.99
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Description
Julians vader noemde het 'dingen van ver', de voorwerpen die aanspoelden op de kust bij hun vuurtoren. Maar Julian vindt op een dag een heel bijzonder ding van ver: een prachtige sabel. Als de eigenaar komt, staat Julian voor de keuze: zijn mooie vondst houden, of teruggeven een een cadeau krijgen dat verder schijnt dan hij ooit kon dromen? Zijn eerlijkheid levert hem uiteindelijk iets heel moois op!
When pale-skinned Lucian brings home a magnificent cutlass he’s found on the beach, his mother has doubts. “Is it a faraway thing?” she asks, using his father’s phrase for treasures washed up on the beach. (...) The next day, the cutlass’s owner appears by rowboat—a captain whose galleon is stuck on a sandbar. A bald, brown-skinned man in modern-looking spectacles, he approaches Lucian with an offer: “If you return the cutlass, I’ll let you choose whatever object you like from the treasures I’ve accumulated.” The moment that Lucian enters the room is tense. “Choose wisely,” the captain says, and readers watch as the child relinquishes his prize for a quieter treasure in a step out of childhood and into responsibility. Sweeping multimedia art by Murphy (Together We Grow) gives the galleon, its crew, and the ocean grandeur. The story raises more questions than it answers—about the boy’s father and the nonworking lighthouse—but Eggers (We Became Jaguars) tells his swashbuckling yarn with screenplay-like polish that feels just as expansive as Murphy’s art.
When pale-skinned Lucian brings home a magnificent cutlass he’s found on the beach, his mother has doubts. “Is it a faraway thing?” she asks, using his father’s phrase for treasures washed up on the beach. (...) The next day, the cutlass’s owner appears by rowboat—a captain whose galleon is stuck on a sandbar. A bald, brown-skinned man in modern-looking spectacles, he approaches Lucian with an offer: “If you return the cutlass, I’ll let you choose whatever object you like from the treasures I’ve accumulated.” The moment that Lucian enters the room is tense. “Choose wisely,” the captain says, and readers watch as the child relinquishes his prize for a quieter treasure in a step out of childhood and into responsibility. Sweeping multimedia art by Murphy (Together We Grow) gives the galleon, its crew, and the ocean grandeur. The story raises more questions than it answers—about the boy’s father and the nonworking lighthouse—but Eggers (We Became Jaguars) tells his swashbuckling yarn with screenplay-like polish that feels just as expansive as Murphy’s art.