Hardback / bound
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English
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Description
Both a profound reflection on the categories for thinking about art, and a study of a remarkable series of art installations. Endless Andness is a powerful and eloquent evocation of the experience of art that otherwise would envelop the viewer in its singular spaces. In exploring such concepts as performativity, deixis, and participatory observation, concepts that enable reflection on Janssens' art events, Mieke Bal offers a broad framework for thinking about art today.
Both a profound reflection on the categories for thinking about art, and a study of a remarkable series of art installations. Endless Andness is a powerful and eloquent evocation of the experience of art that otherwise would envelop the viewer in its singular spaces. In exploring such concepts as performativity, deixis, and participatory observation, concepts that enable reflection on Janssens' art events, Mieke Bal offers a broad framework for thinking about art today.
Mieke Bal's absorbing and comprehensive study of the work of Ann Veronica Janssens is an exemplary achievement on many levels. Bal teases out the playful, affective but rigorous character of the artist's 'sculptural' works, showing how they draw participant viewers into experiment with 'the ungraspable yet utterly material that exists beyond the burden of objects.' In doing so, she shows how these works exemplify a novel Deleuzian concept of abstraction, as well as a democratic and empowering sense in which art can be 'political.' This is a book for anyone with an interest in contemporary art, philosophy and a more modest sense of the political.
What a great book that explains the art of seeing by performing, reading, acting , spacing and traversing, and the art works of Ann Veronica Jannssens and others...An absolute must for each student and visiting observer of modern art.
Mieke Bal is the author of Reading Rembrandt: Beyond the Word-Image Opposition, Narratology: Introduction to the Theory of Narrative, and many other books. She is Professor of the Theory of Literature at the University of Amsterdam, and has also been affiliated with Columbia University, the University of Rochester, and Cornell University, USA.
Both a profound reflection on the categories for thinking about art, and a study of a remarkable series of art installations. Endless Andness is a powerful and eloquent evocation of the experience of art that otherwise would envelop the viewer in its singular spaces. In exploring such concepts as performativity, deixis, and participatory observation, concepts that enable reflection on Janssens' art events, Mieke Bal offers a broad framework for thinking about art today.
Mieke Bal's absorbing and comprehensive study of the work of Ann Veronica Janssens is an exemplary achievement on many levels. Bal teases out the playful, affective but rigorous character of the artist's 'sculptural' works, showing how they draw participant viewers into experiment with 'the ungraspable yet utterly material that exists beyond the burden of objects.' In doing so, she shows how these works exemplify a novel Deleuzian concept of abstraction, as well as a democratic and empowering sense in which art can be 'political.' This is a book for anyone with an interest in contemporary art, philosophy and a more modest sense of the political.
What a great book that explains the art of seeing by performing, reading, acting , spacing and traversing, and the art works of Ann Veronica Jannssens and others...An absolute must for each student and visiting observer of modern art.
Mieke Bal is the author of Reading Rembrandt: Beyond the Word-Image Opposition, Narratology: Introduction to the Theory of Narrative, and many other books. She is Professor of the Theory of Literature at the University of Amsterdam, and has also been affiliated with Columbia University, the University of Rochester, and Cornell University, USA.