Female Printmakers, Printsellers, and Print Publishers in the Eighteenth Century
The Imprint of Women, c. 1700–1830
Female Printmakers, Printsellers, and Print Publishers in the Eighteenth Century
The Imprint of Women, c. 1700–1830
Hardback / bound
|
English
€111.95
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Description
'Martinez and Roman have curated a thoughtfully organised - and utterly necessary - collection of essays that offer insight into the labour and experiences of women printmakers and -sellers. In so doing, they bring to light a virtually unknown aspect of image-making and circulation in the long 18th century. Across its three sections, this book offers an effective mixture of methods, archives, and examples from different national traditions. It introduces readers to artists and entrepreneurs they may otherwise never have encountered and acts as a model for future scholarship.' Thora Brylowe, Associate Professor of English, University of Colorado, Boulder
'Martinez and Roman have curated a thoughtfully organised - and utterly necessary - collection of essays that offer insight into the labour and experiences of women printmakers and -sellers. In so doing, they bring to light a virtually unknown aspect of image-making and circulation in the long 18th century. Across its three sections, this book offers an effective mixture of methods, archives, and examples from different national traditions. It introduces readers to artists and entrepreneurs they may otherwise never have encountered and acts as a model for future scholarship.' Thora Brylowe, Associate Professor of English, University of Colorado, Boulder
'This fascinating volume is the first to shed light on the considerable - yet, until now, largely invisible – contributions of women to the eighteenth-century print industry. It offers a rich, detailed study which promises to revitalise the study of graphic culture, drawing out across a series of multi-national case studies the ways in which women negotiated the artistic, technical, commercial, domestic, legal and political landscapes they entered. More than a work of simple historical recovery, the volume builds on its meticulously empirical foundations to draw out exciting new narratives about the participation of women in the print trade over the long eighteenth century.' Rosemarie Dias, Associate Professor of the History of Art, University of Warwick
'Fulfilling a genuine interdisciplinary need for a book-length study addressing this neglected subject, this collection is the first of its kind. Shining new light on the diverse roles played by women in the trades as etchers, engravers, illustrators, and other makers and sellers of graphic prints, it offers a multi-national perspective addressing European and American women workers and artists as they negotiated the artistic, legal, and commercial challenges of their era.' Paula McDowell, Professor of English, New York University
Cristina S. Martinez is an art historian who specialises in British eighteenth-century art and copyright history. She is the author of the entry on Jane Hogarth in the Oxford Dictionary of National Biography and has received several awards including a Bodleian Library fellowship. Cynthia E. Roman is Curator of Prints, Drawings and Paintings at the Lewis Walpole Library, Yale University. She is an active and widely published scholar of British art of the eighteenth century. Her work focuses on the history of prints and print collecting, and the work of women and amateur artists.
'Martinez and Roman have curated a thoughtfully organised - and utterly necessary - collection of essays that offer insight into the labour and experiences of women printmakers and -sellers. In so doing, they bring to light a virtually unknown aspect of image-making and circulation in the long 18th century. Across its three sections, this book offers an effective mixture of methods, archives, and examples from different national traditions. It introduces readers to artists and entrepreneurs they may otherwise never have encountered and acts as a model for future scholarship.' Thora Brylowe, Associate Professor of English, University of Colorado, Boulder
'This fascinating volume is the first to shed light on the considerable - yet, until now, largely invisible – contributions of women to the eighteenth-century print industry. It offers a rich, detailed study which promises to revitalise the study of graphic culture, drawing out across a series of multi-national case studies the ways in which women negotiated the artistic, technical, commercial, domestic, legal and political landscapes they entered. More than a work of simple historical recovery, the volume builds on its meticulously empirical foundations to draw out exciting new narratives about the participation of women in the print trade over the long eighteenth century.' Rosemarie Dias, Associate Professor of the History of Art, University of Warwick
'Fulfilling a genuine interdisciplinary need for a book-length study addressing this neglected subject, this collection is the first of its kind. Shining new light on the diverse roles played by women in the trades as etchers, engravers, illustrators, and other makers and sellers of graphic prints, it offers a multi-national perspective addressing European and American women workers and artists as they negotiated the artistic, legal, and commercial challenges of their era.' Paula McDowell, Professor of English, New York University
Cristina S. Martinez is an art historian who specialises in British eighteenth-century art and copyright history. She is the author of the entry on Jane Hogarth in the Oxford Dictionary of National Biography and has received several awards including a Bodleian Library fellowship. Cynthia E. Roman is Curator of Prints, Drawings and Paintings at the Lewis Walpole Library, Yale University. She is an active and widely published scholar of British art of the eighteenth century. Her work focuses on the history of prints and print collecting, and the work of women and amateur artists.