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Description
Provides a new framework in which to interpret the films of Michael Haneke, including Funny Games, Caché, and others, and to show how the concept of intermediality can be used to expand the possibilities of film and media studies, tying the two more closely together.
Christopher Rowe received his Ph.D. in Screen and Cultural Studies from the Universityof Melbourne in 2014.
Christopher Rowe received his Ph.D. in Screen and Cultural Studies from the Universityof Melbourne in 2014.