Description
In this volume specialists of medieval music and philosophy put the medieval 'musica' into the context of ideas and institutions in which it existed. The significance of 'musica' cannot be understood from a modern point of view since 'music' does not match the medieval 'musica'.
Frank Hentschel, M.A. (1994) in Musicology, Philosophy and German Literature, studied in Cologne and London. He is assistant at the Thomas-Institut, Cologne, and has recently published a book on function and significance of symmetry in the works of Béla Bartók ((cu Lucca