Opera, Emotion, and the Antipodes Volume II
Applied Perspectives: Compositions and Performances
Opera, Emotion, and the Antipodes Volume II
Applied Perspectives: Compositions and Performances
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Description
Taking Australia as a case study, this two-volume collection of extended essays demonstrates that emotional experiences, discourses, displays and expressions do not share universal significance, but are at least partly produced, defined, and regulated by culture.
Jane W. Davidson has performed in and directed opera for more than 30 years. She is currently Head of Performing Arts at the University of Melbourne’s Conservatorium of Music. She has published widely, across the field of music psychology, musicology and practice as research. She is president of the Australian Music and Psychology Society.
Michael Halliwell has enjoyed a career as an opera singer in Europe and as an academic at the University of Sydney Conservatorium of Music. He has published widely and is president of the International Association for Word and Music Studies.
Stephanie Rocke is a Research Fellow at the University of Melbourne affiliated with the ARC Centre of Excellence for the History of Emotions, with wide-ranging interests and publications in music and culture across time.