Hardback / bound
|
English
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Description
This open access book examines how Pinewood came to be Britain’s dominant film studio complex, focusing on key years following the Second World War.
Sarah Street is Professor of Film at the University of Bristol. Her publications include British National Cinema (1997), Transatlantic Crossings: British Feature Films in the USA (2002), Colour Films in Britain: The Negotiation of Innovation, 1900-55 (2012), Chromatic Modernity: Color, Cinema, and Media of the 1920s (2019, with Joshua Yumibe), and The Eastmancolor Revolution (2021, with Keith M. Johnston, Paul Frith and Carolyn Rickards).