Politics and Literature at the Dawn of World War II
James A. W. Heffernan
Politics and Literature at the Dawn of World War II
James A. W. Heffernan
Paperback
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English
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Description
Politics and Literature at the Dawn of World War II offers an appealing enticement to read some of the most inventive works of wartime literature and to recognize their contributions to the historical record.
Politics and Literature at the Dawn of World War II offers an appealing enticement to read some of the most inventive works of wartime literature and to recognize their contributions to the historical record.
Jim Heffernan takes us on an amazing tour of literature from across Europe in the first years of World War II. He shows how novelists, playwrights, poets, and journalists responded to the opening stages of one of the great crises of civilization. His lucid introductions and thoughtful analyses show how at times fiction can represent historical experience more truthfully than journalism.
An exciting, novel, and comparative account of the impact of World War II on literature produced in the US, UK, Germany, and France and their authors.
Spoiler alert: this book will unsettle your fixed ideas about the difference between history and fiction, reality and imagination. Ranging across historical novels, poems, and theories of history from the ancients to the moderns, and focused intensely on literary production at the dawn of World War II, Heffernan teases us into thoughtfulness about the way we inhabit time and tell ourselves tales about its meaning. A must for both the general reader and the scholarly specialist.
This beautifully written jewel of a book offers a truly original perspective on a very old theme. Bringing together a suite of literary works all written around 1939, it shows brilliantly how writers, both famous and lesser-known, captured the sense of crisis in a world on the brink of war. Highly recommended.
One rarely dips into a book of literary criticism for pleasure, not these days. But Heffernan’s brilliant study of major writers, mostly novelists and poets, on the brink of the Second World War is both salutary and inspired. It’s also compulsive reading. Looking at an unlikely crew that includes Hemingway and Brecht, Auden, Woolf, Waugh and Henry Green, Heffernan shows how the terrifying imminence of war excited and refined the imaginations of these writers. This is a book to savor, and one that sends us quickly back to the writers under discussion.
A wonderfully written, subtle, and penetrating account of the interplay of history, politics, and art. James Heffernan’s compelling and surprising readings not only reveal the complex histories behind great works, but offer new avenues of appreciation for and judgment of the writers who dared to grapple with a world in crisis.
An important revisionary study of how major writers, both American and European, reacted to the prospect of a second world war by mostly rejecting earlier concepts of heroism. Does the war in Ukraine, which broke out after Heffernan completed this fascinating book, dispel his thesis? We’ll see. But in the meantime, his is an original and sobering account of what really happened!
Thoroughly annotated and sourced (the bibliography is 12 pages long, and the notes alone are well worth consulting and not ponderous), this work shows the ambiguity with which writers like Hemingway, Evelyn Waugh, and Henry Green regarded heroic ideals... Highly recommended.
James A. W. Heffernan is Professor of English Emeritus at Dartmouth College, USA.
Politics and Literature at the Dawn of World War II offers an appealing enticement to read some of the most inventive works of wartime literature and to recognize their contributions to the historical record.
Jim Heffernan takes us on an amazing tour of literature from across Europe in the first years of World War II. He shows how novelists, playwrights, poets, and journalists responded to the opening stages of one of the great crises of civilization. His lucid introductions and thoughtful analyses show how at times fiction can represent historical experience more truthfully than journalism.
An exciting, novel, and comparative account of the impact of World War II on literature produced in the US, UK, Germany, and France and their authors.
Spoiler alert: this book will unsettle your fixed ideas about the difference between history and fiction, reality and imagination. Ranging across historical novels, poems, and theories of history from the ancients to the moderns, and focused intensely on literary production at the dawn of World War II, Heffernan teases us into thoughtfulness about the way we inhabit time and tell ourselves tales about its meaning. A must for both the general reader and the scholarly specialist.
This beautifully written jewel of a book offers a truly original perspective on a very old theme. Bringing together a suite of literary works all written around 1939, it shows brilliantly how writers, both famous and lesser-known, captured the sense of crisis in a world on the brink of war. Highly recommended.
One rarely dips into a book of literary criticism for pleasure, not these days. But Heffernan’s brilliant study of major writers, mostly novelists and poets, on the brink of the Second World War is both salutary and inspired. It’s also compulsive reading. Looking at an unlikely crew that includes Hemingway and Brecht, Auden, Woolf, Waugh and Henry Green, Heffernan shows how the terrifying imminence of war excited and refined the imaginations of these writers. This is a book to savor, and one that sends us quickly back to the writers under discussion.
A wonderfully written, subtle, and penetrating account of the interplay of history, politics, and art. James Heffernan’s compelling and surprising readings not only reveal the complex histories behind great works, but offer new avenues of appreciation for and judgment of the writers who dared to grapple with a world in crisis.
An important revisionary study of how major writers, both American and European, reacted to the prospect of a second world war by mostly rejecting earlier concepts of heroism. Does the war in Ukraine, which broke out after Heffernan completed this fascinating book, dispel his thesis? We’ll see. But in the meantime, his is an original and sobering account of what really happened!
Thoroughly annotated and sourced (the bibliography is 12 pages long, and the notes alone are well worth consulting and not ponderous), this work shows the ambiguity with which writers like Hemingway, Evelyn Waugh, and Henry Green regarded heroic ideals... Highly recommended.
James A. W. Heffernan is Professor of English Emeritus at Dartmouth College, USA.