Description
One of the most admired artists of the twentieth century, Max Ernst was a proponent of Dada and founder of surrealism, known for his strange, evocative paintings and drawings. This title reveals, Ernst was interested in the construction and phenomenology of both collective and individual modern history and memory.
Ralph Ubl is professor of art history at the University of Basel in Switzerland. Elizabeth Tucker translates German with a specialization in the history and theory of art and architecture. Her recent books include Las Vegas in the Rearview Mirror and Cindy Sherman: The Early Works, 1975-1977: Catalogue Raisonne.