Description
Sebastião Salgado’s photographs present an archaeological perspective on manual labour, shedding light on practices which endured from the Stone Age through the Industrial Revolution and up to the present day. He created an elegy to outmoded traditions and the dignity and fortitude of those working in the face of the most dangerous conditions.
"This book is a tribute to those men and women who still work as they have for centuries."
Lélia Wanick Salgado studied architecture and urban planning in Paris. Her interest in photography started in 1970. In the 1980s, she began to conceive and design the majority of Sebastião Salgado’s photography books and all of the exhibitions of his work. Sebastião Salgado began his career as a professional photographer in Paris in 1973 and subsequently worked with the photo agencies Sygma, Gamma, and Magnum Photos. In 1994, he and his wife Lélia Wanick Salgado created Amazonas Images, which is today their studio, and exclusively handles his work. Salgado’s photographic projects have been featured in many exhibitions as well as books, including Sahel. L’Homme en détresse (1986), Other Americas (1986), Terra (1997), Migrations (2000), The Children (2000), Africa (2007), Genesis (2013), The Scent of a Dream (2015), Kuwait. A Desert on Fire (2016), Gold (2019) and Amazônia (2021).