The Great European Stage Directors Set 1
Volumes 1-4: Pre-1950
The Great European Stage Directors Set 1
Volumes 1-4: Pre-1950
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English
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Description
Simon Shepherd is Emeritus Professor of Theatre at the Royal Central School of Speech and Drama, London, UK. He conceived and edits Palgrave’s Readings in Theatre Practice series, for which his volume Direction appeared in 2012. Among his other titles are The Cambridge Introduction to Modern British Theatre, Drama/Theatre/Performance (with Mick Wallis), and Studying Plays (with Mick Wallis, Bloomsbury, 2010). Professor Peta Tait (La Trobe University, Melbourne, Australia) is an academic scholar and playwright with an extensive background in theatre, dramatic literature, performance theory and creative arts practice. She has authored four scholarly books, and edited and co-edited three further books, with sixty other publications including articles in Theatre Journal, Modern Drama and Performance Research. David Barnett is Professor of Theatre at the University of York, UK. He is the author of Brecht in Practice (Bloomsbury Methuen Drama, 2014) and A History of the Berliner Ensemble (2015), and editor of Bertolt Brecht's Berliner Ensemble Adaptations (Bloomsbury Methuen Drama, 2014). Jonathan Pitches is Professor of Theatre and Performance at the University of Leeds, UK. He is the author of The Russians in Britain: British Theatre and the Influence of the Russian Tradition of Acting (2012), Performance Perspectives: A Critical Introduction (2011), and Stanislavsky in the World (with Dr Stefan Aquilina, Bloomsbury Methuen Drama, 2016). Michael Patterson is Emeritus Professor at De Montfort University, Leicester, UK. His publications include Strategies of Political Theatre (2006) and German Theatre: A Bibliography from the Beginning to 1995 (1996).
Simon Shepherd is Emeritus Professor of Theatre at the Royal Central School of Speech and Drama, London, UK. He conceived and edits Palgrave’s Readings in Theatre Practice series, for which his volume Direction appeared in 2012. Among his other titles are The Cambridge Introduction to Modern British Theatre, Drama/Theatre/Performance (with Mick Wallis), and Studying Plays (with Mick Wallis, Bloomsbury, 2010). Professor Peta Tait (La Trobe University, Melbourne, Australia) is an academic scholar and playwright with an extensive background in theatre, dramatic literature, performance theory and creative arts practice. She has authored four scholarly books, and edited and co-edited three further books, with sixty other publications including articles in Theatre Journal, Modern Drama and Performance Research. David Barnett is Professor of Theatre at the University of York, UK. He is the author of Brecht in Practice (Bloomsbury Methuen Drama, 2014) and A History of the Berliner Ensemble (2015), and editor of Bertolt Brecht's Berliner Ensemble Adaptations (Bloomsbury Methuen Drama, 2014). Jonathan Pitches is Professor of Theatre and Performance at the University of Leeds, UK. He is the author of The Russians in Britain: British Theatre and the Influence of the Russian Tradition of Acting (2012), Performance Perspectives: A Critical Introduction (2011), and Stanislavsky in the World (with Dr Stefan Aquilina, Bloomsbury Methuen Drama, 2016). Michael Patterson is Emeritus Professor at De Montfort University, Leicester, UK. His publications include Strategies of Political Theatre (2006) and German Theatre: A Bibliography from the Beginning to 1995 (1996).
Simon Shepherd is Emeritus Professor of Theatre at the Royal Central School of Speech and Drama, London, UK. He conceived and edits Palgrave’s Readings in Theatre Practice series, for which his volume Direction appeared in 2012. Among his other titles are The Cambridge Introduction to Modern British Theatre, Drama/Theatre/Performance (with Mick Wallis), and Studying Plays (with Mick Wallis, Bloomsbury, 2010). Professor Peta Tait (La Trobe University, Melbourne, Australia) is an academic scholar and playwright with an extensive background in theatre, dramatic literature, performance theory and creative arts practice. She has authored four scholarly books, and edited and co-edited three further books, with sixty other publications including articles in Theatre Journal, Modern Drama and Performance Research. David Barnett is Professor of Theatre at the University of York, UK. He is the author of Brecht in Practice (Bloomsbury Methuen Drama, 2014) and A History of the Berliner Ensemble (2015), and editor of Bertolt Brecht's Berliner Ensemble Adaptations (Bloomsbury Methuen Drama, 2014). Jonathan Pitches is Professor of Theatre and Performance at the University of Leeds, UK. He is the author of The Russians in Britain: British Theatre and the Influence of the Russian Tradition of Acting (2012), Performance Perspectives: A Critical Introduction (2011), and Stanislavsky in the World (with Dr Stefan Aquilina, Bloomsbury Methuen Drama, 2016). Michael Patterson is Emeritus Professor at De Montfort University, Leicester, UK. His publications include Strategies of Political Theatre (2006) and German Theatre: A Bibliography from the Beginning to 1995 (1996).