Remarkable... disabused, prophetic, and flawlessly penetrating

Remarkable... disabused, prophetic, and flawlessly penetrating

A very welcome rediscovery

A story that is part John Buchan, part Franz Kafka and wholly riveting. It is also uncannily prescient [...] a gripping novel that plunges the reader into the gloom of Nazi Germany as the darkness was descending. It deserved to be read when it was written. It certainly deserves to be read now

There have been a number of great novels about the Second World War that have come to light again in recent times, most notably Suite Française and Alone in Berlin. I'm not sure that The Passenger might not be the greatest of them

This year's essential literary rediscovery

Gripping and viscerally affecting... Boschwitz's feel for his setting and characters makes most of the historical fiction written about the Nazi era seem simplistic and ersatz

A powerful book that truly captures that experience of being stripped of who you are

By turns claustrophobic, dizzying and symbolic, The Passenger is a work with sufficient pace to be a thriller, yet possessed of enough nuance and psychological depth to be of real literary weight

A German-Jewish author killed by the Nazis is to become a bestseller after the book he wrote on living under the regime was rediscovered by publishers... [The] powerful novel he wrote in 1938, a prophetic and chilling portrait of life under the Nazis, is expected to find new readers across the world

All too chillingly real. Originally published quietly in 1938, this reissue is now a deserving bestseller

The Passenger is both a poignant soliloquy on the nature of sudden loss and uncertainty, and a vivid picture of what it was to be Jewish and hunted down as the Nazis embarked on their crusade of extermination... [Silbermann's] sense of terror and incomprehension is captured with a rare immediacy

[An] existential exploration of the self, apathy, and moral decay. It is a book that gets under your skin [...] This book is a timely eye-opener and certainly worth one's attention and admiration

A taut and chilling story

With The Passenger alone, Ulrich Alexander Boschwitz claims a place alongside the likes of Thomas Mann, Heinrich Böll and Hans Fallada as one of 20th century Germany's greatest novelists

A remarkable rediscovery

At times The Passenger reads as though a painting by the German anti-Nazi artist George Grosz has been turned into words, the text almost vibrating with fury at the lies, theft, murder and betrayal. It is also a highly accomplished work, filled with vivid characterisation, sharp dialogue and intensely observed scenes... This English edition, skilfully translated by Philip Boehm, is a fitting memorial to a writer of great insight and talent - and an important historical work that vividly recreates the terror experienced by Jews in 1930s Germany

A riveting, noirish, intensely filmic portrait... a jewel of a rediscovery: At once a deeply satisfying novel and a vital historical document

It has the dramatic tension of a Hitchcock thriller and the claustrophobic paranoia of Kafka. Its psychologically flawed central character is so vividly realised he might have wandered into Boschwitz's story from the pages of Dostoevsky... [The] writing is controlled, vivid and crammed with psychological insight

A tragicomic fable of the human condition and a comedy of morals and characters of exceptional psychological acuity, The Passenger evokes the worlds of Kafka and Charlie Chaplin

The Passenger is a miracle

One of the most important books of the year... the insight into the atmosphere of the times is so deep, so immediate, it will make you feel as though you'd accompanied the hero yourself

The Passenger is a chronicle of dehumanisation with the pace of a thriller, evoking Kafka's The Trial or Imre Kertész's books

Although written more than 80 years ago, this book qualifies as a 'breath-taking thriller'. It is as if Kafka and Tom Clancy were sent together as reporters into the abyss of Germany in 1938

Silbermann is a morally contradictory protagonist, which is exactly what makes him so powerful and convincing: On the one hand, he is selfless and generous, on the other a hardened and egotistical person. No hero, but a human being whose behaviour has just one aim: survival

An incredibly gripping rediscovery

There is no literary novel on the year of 1938 or the pogroms (Night of Broken Glass). The Passenger fills this gap, transferring the documented horror and mass suffering into the free space of fiction. It's a story about emigration and deportation, about new beginnings and failed hopes: one of the many tragedies of exile. But it is also a story of a talent in the making

A masterpiece

The Passenger is not only an important and gripping historical testimony, written in real time, but also a shattering story for our own time

This re-translation of The Passenger proves that the text deserves better recognition, amongst the totems of literature written in the light of one of the twentieth century's most harrowing collective crimes against humanity

Ulrich Alexander Boschwitz was born in Berlin in 1915. He left Germany in 1935 for Oslo, Norway, studied at the Sorbonne in Paris, and wrote two novels, including The Passenger. Boschwitz eventually settled in England in 1939, although he was interned as a German "enemy alien" after war broke out-despite his Jewish background-and subsequently shipped to Australia. In 1942, Boschwitz was allowed to return to England, but his ship was torpedoed by a German submarine and he was killed along with all 362 passengers. He was twenty-seven years old.