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Description
Looks at the continuities and differences between the second-wave dance avant-garde in the 1950s-1970s and the third-wave starting in the 1990s. Through close readings of key artists, The Persistence of Dance traces the relationship between the third-wave and gallery-based work.
Erin Brannigan is Associate Professor of Theatre and Performance Studies at the University of New South Wales. Her book Choreography, Visual Art and Experimental Composition 1950s-1970s received the Selma-Jeanne Cohen Dance Prize.
Erin Brannigan is Associate Professor of Theatre and Performance Studies at the University of New South Wales. Her book Choreography, Visual Art and Experimental Composition 1950s-1970s received the Selma-Jeanne Cohen Dance Prize.