Resultaten voor 'barbara kingsolver'

1. Barbara Kingsolver

Demon Copperhead

“Absorbing….Readers see the yearning for love and wells of compassion hidden beneath Demon’s self-protective exterior…. Emotionally engaging is Demon’s fierce attachment to his home ground, a place where he is known and supported, tested to the breaking point as the opiate epidemic engulfs it…. An angry, powerful book seething with love and outrage for a community too often stereotyped or ignored.” — Kirkus Review (Starred Review) “Kingsolver brings a notably different energy from her previous work to Demon Copperhead…through a tremendous narrative voice, one so sharp and fresh as to overwhelm the reader’s senses….Demon’s spirit comes through, and it is haunting. It’s the reason the pages keep turning….Kingsolver has made this story her own, and what a joy it is to slip into this world and inhabit it, even with all its challenges.” — BookPage "The voice of Demon is so original. . . . Straight-talking, alert, witty and hard to deceive. In other words, a defiant retort to stereotypes about Appalachia. He’s mouthy and smart in a contemporary way, but he’s making the same call for attention and compassion Charles Dickens did more than a century and a half ago.” — USA Today "A heartrending, probing and ultimately hopeful tale about a young boy’s journey from devastation to survival….It’s hard to ascertain which is more brilliant, Kingsolver’s skill in modernizing Dickens’ narrative or the voice she gives to the privations and adversities facing the land and people she so dearly loves.”   — Atlanta Journal-Constitution "Demon is a voice for the ages—akin to Huck Finn or Holden Caulfield—only even more resilient. I’m crazy about this book, which parses the epidemic in a beautiful and intimate new way. I think it’s her best.” — Beth Macy, author of Dopesick “Kingsolver’s capacious, ingenious, wrenching, and funny survivor’s tale is a virtuoso present-day variation on Charles Dickens’ David Copperfield. . . . Kingsolver’s tour de force is a serpentine, hard-striking tale of profound dimension and resonance.” — Booklist (Starred Review) "Kingsolver's new novel is her best in years. . . . The character of Damon is right up there with the best classic orphans of literatre. Believe me: you will root for this lost boy." — Pittsburgh Post-Gazette “A riveting, epic tale…[Kingsolver’s] exquisite writing takes a wrenching story and makes it worthwhile… Kingsolver has given us a superb novel.” — Christian Science Monitor “Kingsolver has made this story her own, and what a joy it is to slip into this world and inhabit it, even with all its challenges.” — BookPage "This is storytelling at its best. The voice rings true and so do the incidents." — Stephen King “With its bold reversals of fate and flamboyant cast, this is storytelling on a grand scale. . . . As Demon discovers, owning his story—every part of it—and finding a way to tell it is how he’ll wrest some control over his life. And what a story it is: acute, impassioned, heartbreakingly evocative, told by a narrator who’s a product of multiple failed systems, yes, but also of a deep rural landscape with its own sustaining traditions.”   — The Guardian “An epic…brimming with vitality and outrage….the rare 560-page book you wish would never end.” — People "Book of the Week" "May be the best novel of 2022...Equal parts hilarious and heartbreaking, this is the story of an irrepressible boy nobody wants, but readers will love….You may be reminded of another orphaned boy slipping through the country’s underbrush, just trying to stay out of trouble: Huck Finn. With Demon, Kingsolver has created an outcast equally reminiscent of Twain’s masterpiece, speaking in the natural poetry of the American vernacular….Kingsolver's best demonstration yet of a novel’s ability to simultaneously entertain and move and plead for reform." — Ron Charles, Washington Post “Brilliant. . . . A page turner and Kingsolver’s best novel by far. . . . Kingsolver has some of Mark Twain in her, along with 21st-century gifts of her own. More than ever, she is our literary mirror and window. May this novel be widely read and championed.” — Minneapolis Star-Tribune “In Demon Copperhead…Kingsolver channels the voice of a disenfranchised boy lost in the failures of our social system. It's a testament to her storytelling mastery that this novel also illustrates how deeply intertwined our attitudes about nature are with our collective destiny. As always, her purpose is to make us think about the ways we all must look out for each other.” — Arizona Republic “A dazzling novel….a lyrical re-dreaming of Dickens’s David Copperfield. The social injustices of Victorian England have been transplanted, with spellbinding success, to modern-day Appalachia…populated by America’s rural white underclass and now ravaged by the opioid crisis…Kingsolver maintains an astonishing level of energy and intensity….This novel is surely a highpoint of Kingsolver’s long career and a strong early candidate for next year's Booker Prize.” — Times Literary Supplement “A deeply evocative story…Kingsolver’s account of the opioid epidemic and its impact on the social fabric of Appalachia is drawn to heartbreaking effect. This is a powerful story, both brilliant in its many social messages regarding foster care, child hunger, and rural struggles, and breathless in its delivery.” — Publishers Weekly (Starred Review) “Demon Copperhead is a propulsive reading experience, energetic and funny while still conveying Kingsolver’s fury at the institutions that have let her community down.” — Slate “If you’re familiar with the Charles Dickens classic, you’ll follow the story’s beats and chuckle….What keeps you turning the pages is the knowledge that Demon has a future. The novel ends on a note of hope...not every fate is decided by the circumstances of one’s birth.”   — Associated Press "There’s really nothing like being immersed in a Kingsolver novel. . . . Damon [is Kingsolver’s] bravest, most ambitious creation yet." — Los Angeles Times “Extraordinary. . . . Much like Douglas Stuart’s Shuggie Bain or Charles Dickens’ David Copperfield, Kingsolver’s epic is narrated by a self-professed screwup with a heart of gold . . . chock-full of cinematic twists and turns. It’s a book that demands we start paying attention to—and embracing—a long-ignored community and its people." — San Francisco Chronicle “You’ll be enthralled by [Demon’s] voice, simultaneously hilarious and wise, as he illuminates life in rural America…..this is the ideal late-fall read to sink your teeth into.” — Real Simple

1. Barbara Kingsolver

Demon Copperhead

1. Barbara , Kingsolver

How to Fly (in Ten Thousand Easy Lessons)

"A gorgeous collection...These poems unplug from TV and social media and the outrage of the moment and turn our attention to the immediate and the everlasting, human intimacy and the power and mystery of nature." (Tampa Bay Times) "Kingsolver brings her gifts of observation and reflection to HOW TO FLY...For a reader wanting to escape, to fly while grounded, this book is a map that offers surprise and delight." (BookPage) In this intimate collection, the beloved author of The Poisonwood Bible and more than a dozen other New York Times bestsellers, winner or finalist for the Pulitzer and countless other prizes, now trains her eye on the everyday and the metaphysical in poems that are smartly crafted, emotionally rich, and luminous. In her second poetry collection, Barbara Kingsolver offers reflections on the practical, the spiritual, and the wild. She begins with ?how to? poems addressing everyday matters such as being hopeful, married, divorced; shearing a sheep; praying to unreliable gods; doing nothing at all; and of course, flying. Next come rafts of poems about making peace (or not) with the complicated bonds of friendship and family, and making peace (or not) with death, in the many ways it finds us. Some poems reflect on the redemptive powers of art and poetry itself; others consider where everything begins. Closing the book are poems that celebrate natural wonders?birdsong and ghost-flowers, ruthless ants, clever shellfish, coral reefs, deadly deserts, and thousand-year-old beech trees?all speaking to the daring project of belonging to an untamed world beyond ourselves. Altogether, these are poems about transcendence: finding breath and lightness in life and the everyday acts of living. It's all terribly easy and, as the title suggests, not entirely possible. Or at least, it is never quite finished.

1. Barbara , Kingsolver

Animal Dreams

"Animals dream about the things they do in the daytime just like people do. If you want sweet dreams, you've got to live a sweet life." So says Loyd Peregrina, a handsome Apache trainman and latter-day philosopher. But when Codi Noline returns to her hometown, Loyd's advice is painfully out of her reach. Dreamless and at the end of her rope, Codi comes back to Grace, Arizona, to confront her past and face her ailing, distant father. What she finds is a town threatened by a silent environmental catastrophe, some startling clues to her own identity, and a man whose view of the world could change the course of her life. Blending flashbacks, dreams, and Native American legends, Animal Dreams is a suspenseful love story and a moving exploration of life's largest commitments.

1. Barbara , Kingsolver

Pigs in Heaven

When six-year-old Turtle Greer witnesses a freak accident at the Hoover Dam, her insistence on what she has seen and her mother's belief in her lead to a man's dramatic rescue. But Turtle's moment of celebrity draws her into a conflict of historic proportions. The crisis quickly envelops not only Turtle and her mother, Taylor, but everyone else who touches their lives in a complex web connecting their future with their past. Pigs in Heaven travels the roads from rural Kentucky and the urban Southwest to Heaven, Oklahoma, and the Cherokee Nation as it draws the reader into a world of heartbreak and redeeming love, testing the boundaries of family and the many separate truths about the ties that bind.

1. Barbara , Kingsolver

The Bean Trees

Clear-eyed and spirited, Taylor Greer grew up poor in rural Kentucky with the goals of avoiding pregnancy and getting away. But when she heads west with high hopes and a barely functional car, she meets the human condition head-on. By the time Taylor arrives in Tucson, Arizona, she has acquired a completely unexpected child, a three-year-old American Indian girl named Turtle, and must somehow come to terms with both motherhood and the necessity for putting down roots. Hers is a story about love and friendship, abandonment and belonging, and the discovery of surprising resources in apparently empty places.