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Resultaten voor 'constantin stanislavski'
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Creating A Role
Konstantin Stanislavski (1863-1938) was a Russian director who sought 'inner realism' by insisting that his actors find the truth within themselves and 'become' the characters they portrayed. His work brought international fame to the Moscow Art Theatre, which he had co-founded with Vladimir Nemirovich-Danchenko in 1897. During his early years at the Moscow Art Theatre, he directed the first productions of Chekhov's Uncle Vanya (1899), Three Sisters (1901) and The Cherry Orchard (1904) as well as a series of celebrated versions of Shakespeare. Stanislavski toured America with the company in 1923. After World War II, the US edition of Stanislavski's treatise An Actor Prepares (1926) became a bible of the Method school of acting.
€ 21,95 -
Building a Character
Konstantin Stanislavski (1863-1938) was a Russian director who sought 'inner realism' by insisting that his actors find the truth within themselves and 'become' the characters they portrayed. His work brought international fame to the Moscow Art Theatre, which he had co-founded with Vladimir Nemirovich-Danchenko in 1897. During his early years at the Moscow Art Theatre, he directed the first productions of Chekhov's Uncle Vanya (1899), Three Sisters (1901) and The Cherry Orchard (1904) as well as a series of celebrated versions of Shakespeare. Stanislavski toured America with the company in 1923. After World War II, the US edition of Stanislavski's treatise An Actor Prepares (1926) became a bible of the Method school of acting.
€ 21,95 -
An Actor Prepares
Konstantin Stanislavski (1863-1938) was a Russian director who sought 'inner realism' by insisting that his actors find the truth within themselves and 'become' the characters they portrayed. His work brought international fame to the Moscow Art Theatre, which he had co-founded with Vladimir Nemirovich-Danchenko in 1897. During his early years at the Moscow Art Theatre, he directed the first productions of Chekhov's Uncle Vanya (1899), Three Sisters (1901) and The Cherry Orchard (1904) as well as a series of celebrated versions of Shakespeare. Stanislavski toured America with the company in 1923. After World War II, the US edition of Stanislavski's treatise An Actor Prepares (1926) became a bible of the Method school of acting.
€ 23,50 -
An Actor Prepares
"[O]ne of the most inspired and inspiring manifestos of our art that I know." -- Richard Monette, Stratford artistic director
€ 48,50 -
My Life in Art
"A great figure upon the world scene, one of the greatest men of the theatre that ever lived." -- N.Y.Herald-Tribune"This wise and delightful book...is packed with sage practical counsel to actors and actresses." -- The TimesLiterary Supplement (London)"It was a source of great enlightenment to me." -- Sir Laurence Olivier
€ 48,50 -
An Actor's Handbook
An Alphabetical Arrangement of Concise Statements on Aspects of Acting, Reissue of first editionThis is the classic lexicon of Stanislavski's most important concepts, all in the master's own words. This new, attractively packaged edition will be an essential book for any performer.
€ 47,50 -
Building A Character
"Indispensable for the actor, stimulating for the layman." -- The Nation"Anyone who attempts to train actors or to direct plays will find here a great mine of practical wisdom, all informed by Stanislavski's grasp of the art itself." -- Francis Fergusson, Educational Theatre Journal"In (this book) Stanislavski, assuming the reader's familiarity with the 'inner technique', proceeds to study costume and the wearing of costume, bodily movement, voice, speech and the use of language, and tempo and rhythm-- the more external but essential techniques whereby the actor learns to use his physical instrument . . . and he expounds them as only a master can; i.e., with the insight and authority of talent plus expeirence. Anyone who attempts to train actors or to direct plays will find here a great mine of practical wisdom." -- Francis Fergusson, Education Theatre Journal"The chapter on Diction and Singing offers an analysis of basic problems of singing that is unrivaled." -- MusicalAmerica
€ 46,95 -
Stanislavski's Legacy
"You couldn't ask for a more definitive, fascinating discussion of the art of acting . . . a real service and probably one of the year's most valuable theatre books." -- Washington Post"It is filled with wisdom and interpretation of life as seen through theatrical art that no one really interested in the theatre can afford to miss." -- Dramatics
€ 52,50 -
Stanislavski On Opera
Stanislavski's essays on opera, focusing on Russian classics, including Boris Gudonovn and The Queen of Spades, as well as La Boheme.
€ 44,50 -
Stanislavski's Legacy
This handbook is a companion volume to Stanislavski's three teaching books. It is a selection of articles, speeches, notes and memoirs written between 1898 and his death in 1938, and includes a final section in which Stanislavski envisages the theatre and actors of the future.
€ 26,50 -
An Actor's Handbook
An Alphabetical Arrangement of Concise Statements on Aspects of ActingStanislavski was the foremost influence on the "Method" school of acting, as developed by Lee Strasberg. Here in concise form is what Stanislavski himself said about acting, aimed at students, experienced theatre people and laymen interested in stage craft.
€ 26,50 -
My Life In Art
In this volume, Stanislavski recalls his theatrical career, from his early experiences in Rubinstein's Russian Musical Society to his final triumphs with Chekhov at the Moscow Art Theatre. His account of his own famous productions is interspersed with his anecdotes of the famous.
€ 33,50