Resultaten voor 'ioakim ioakim'
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Orpheus
He heard the world as sound.Not metaphor - literally. The world arrived in Orpheus as sound before it arrived as anything else. He heard the grief in a room before he saw the face that was carrying it. He heard the note the Clashing Rocks made in the moment before they moved and he played it back to them and the rocks heard themselves and paused. He went into the underworld with only the lyre and the grief and he played and the Furies wept.He had the gift and the gift was real and the gift was everything.The gift was also the problem.He had spent his whole life being confirmed - the music going out and the world moving toward it, the rocks and the rivers and the dead and the living all confirming the hearing, all telling him that what he heard was true. He had never been wrong. The world had always confirmed him.In the passage between the underworld and the world above, with Eurydice behind him and the permission given and the agreement made - the agreement to walk without looking back - the world went silent. He could not hear her. And the man who had always been confirmed could not hold the not-confirming.He turned.ORPHEUS: The Music and the Looking Back is not the story of the failure. It is the story of the gift and the woman who understood the gift more completely than the man who had it - who gave him the inside view, the inward direction, the gift's other way, across three years in the Thracian valley before the snake and the dying and the passage and the turning.It is the story of what she built in him. What he did with what she built. What the building made possible in the world - the inside hearing, the capacity for the inside account, the music that came from within as well as without.The turning was the gift's failure.The gift's other direction was her gift.Both are permanent.Both are in the music.The seventh book in the Olympus Cycle - literary fiction set in the world of ancient Greece, where the interior lives of its characters are the territory, the dialogue makes them live, and the myths are the bones of something that has always been about us.
€ 16,60 -
Theseus
Everyone knows this part.What the myth has never fully told is what he carried back with him - and what he left behind.Theseus of Athens assembled the greatest company of heroes his age had seen, sailed to Crete as tribute, and went down into the Labyrinth that no one had survived. He killed the Minotaur. He came out. He sailed home with the survivors and the fame and the story that would define him for three thousand years.He came out because of the thread.And the thread came from Ariadne - the daughter of Minos, the woman who saw him cross the dock and understood before he did what was going to happen, who spent two years building the map and the preparation and who came to his room in the dark of the second night and pressed the thread into his hands and said: follow it back. She gave him the thread and the name of the thing in the dark and the knowledge of the Labyrinth's structure that only she possessed. She gave him everything.And he left her sleeping on the beach at Naxos and sailed toward Athens with the black sails still black.THESEUS: The Thread and the Dark is the story of what the giving cost and what the leaving produced - for both of them. For Ariadne, who held what she held and built her life from the ground of what she was. For Theseus, who governed a city for forty-one years carrying the weight of what he had done and what he had not done and who spent those years trying to make the man and the king close enough that the difference didn't matter.For the thread, which was between them. Which was always between them. Which came back.The fifth book in the Olympus Cycle - literary fiction set in the world of ancient Greece, where the interior lives of its characters are the territory, the dialogue makes them live, and the myths are the bones of something that has always been about us.
€ 14,00 -
Titans
€ 19,50 -
Achilles
€ 19,50 -
Hercules
€ 24,95 -
Gods Of Olympus
€ 20,95 -
Persephone
The world above tells the story of the taking.The girl in the field. The flowers. The ground opening. The mother's grief so complete that the world stopped growing. The bargain, the return, the six seeds that divided the year between the world above and the world below.The world above tells this story because the world above needs the explanation - needs to understand why the cold comes, why the flowers die, why the world goes gray every year in the specific quality of something that has lost the thing it most needed.The world above has always told the wrong story.Not false - the taking happened, the grief was real, the six seeds are real and permanent. But the story the world above tells is the story of the surface. Beneath the surface is the other story, the one that Persephone tells herself: what she found in the dark, what the dark gave her that the field at Nysa never could, what it means to be the person who has been in both worlds and who carries the knowledge of both.In the underworld she found the record - the names of every person who had ever lived, kept by the ruler of the dead since the beginning, the most important room in any world. She found the king who had been alone in the dark with the names since before she was born and who had no one to keep the record with. She found the girl of seven who sat against the wall asking about her mother. She found the Elysian Fields making their specific light from the completeness of the finished lives.She found the function she was for.PERSEPHONE: What the Dark Keeps is the story of what the between produces - the life that is lived in both worlds simultaneously, the knowledge that neither world alone can give, the specific authority of the person who has been where everything goes and who has come back to tell the shape of the truth to the living who need to hear it.The six seeds were not the punishment.They were the claiming.The sixth book in the Olympus Cycle - literary fiction set in the world of ancient Greece, where the interior lives of its characters are the territory, the dialogue makes them live, and the myths are the bones of something that has always been about us.
€ 14,00 -
Troy.2
€ 21,50 -
The Museum of Forgotten Songs
€ 11,95 -
Troy
€ 29,95 -
Odyssia
€ 20,95 -
Troy.3
€ 17,50