Resultaten voor 'max frisch'

1. Max , Frisch

Stiller

1. Max , Frisch

Adim Gantenbein Olsun

Sonra bir kez daha haykirmak istedigini söyledi. Bu kez önemsediler. Ciglik mi atmak istiyordu Basiyla onayladi, anlasildigini fark eden bir dilsizin coskusuyla. Neden ciglik atmak istemisti Bilmiyordu. Bir adam bardan disari adim atar ve kisa bir süre sonra direksiyon basinda ölü bulunur. Anlaticimiz kulak misafiri oldugu konusmalardan edindigi bilgilerle bu adamin hikayesini bir araya getirir ama ortaya iki farkli hikaye, iki farkli versiyon ve iki farkli kahraman cikar. Bunlardan biri Enderlin, digeri Gantenbeindir. Adim Gantenbein Olsun, savas sonrasi Alman edebiyatinda bir kirilim noktasini, öncüllerinin asik suratli ironisinden postmodern oyunbazliga gecisi temsil eden romanlardan biri. Elestirmen Heinrich Vormwegin deyisiyle örnek niteliginde bir cikmaz. Canina tak etmis modern aydinin öyküsü.Merkur

1. Max , Frisch

Trueman and the Arsonists

But the best disguise, I find, is always the absolute bollock naked truth. It's really strange. Nobody believes it.This is an amoral morality play. It's also got songs in it.Fires keep starting. All across the city, arsonists worm their way into respectable people's homes only to burn them all down. It's a plague. And we don't know why.But Trueman is no fool. He can spot an arsonist from a mile away. These two strangers with troubled pasts who turn up on his doorstep asking for a spare room can't be arsonists. They're too polite. Like him. Everybody is far too respectable to act on their suspicions. Even when they fill his attic with barrels of petrol and ask him to help measure the fuse.In a new version by Simon Stephens, with songs by Chris Thorpe, Trueman and the Arsonists explores how moral lethargy can invite evil in - even encouraging you to give it a warm blanket and a nice dinner.This edition was published to coincide with the world premiere at the Roundhouse in London, in October 2023.

1. Ingeborg , Bachmann
2. Max , Frisch

'Wir haben es nicht gut gemacht'

Der dramatische Briefwechsel, vonseiten der Bachmann- wie der Frisch-Forschung kenntnisreich kommentiert, zeichnet ein neues, überraschendes Bild der Beziehung und stellt tradierte Bewertungen und Schuldzuweisungen in Frage. >Coverstar< des Spiegel - bringt gerade ihr Hörspiel Der gute Gott von Manhattan auf Sendung. Max Frisch - erfolgreicher Romancier und Dramatiker, der noch im selben Jahr den Büchner-Preis erhält - ist in dieser Zeit mit Inszenierungen von Biedermann und die Brandstifter beschäftigt. Er schreibt der »jungen Dichterin«, wie begeistert er von ihrem Hörspiel ist. Mit Bachmanns Antwort im Juni 1958 beginnt ein Briefwechsel, der - vom Kennenlernen bis lange nach der Trennung - in rund 300 überlieferten Schriftstücken Zeugnis ablegt vom Leben, Lieben und Leiden eines der bekanntesten Paare der deutschsprachigen Literatur. Nähe und Distanz, Bewunderung und Rivalität, Eifersucht, Fluchtimpulse und Verlustangst, aber auch die Schwierigkeiten des Arbeitens in einer gemeinsamen Wohnung und die Spannung zwischen Schriftstellerexistenz und Zweisamkeit - die Themen der autobiografischen Zeugnisse sind zeitlos. In den Büchern von Bachmann und Frisch hinterließ diese Liebe Spuren, die zum Teil erst durch die Korrespondenz erhellt werden können. Die Briefe zeigen die enge Verknüpfung von Leben und Werk, sie sind intime Mitteilungen und zugleich Weltliteratur. »Sie waren das berühmteste Paar der deutschsprachigen Literatur. Jetzt endlich, viele Jahre nach ihrem Tod, erscheinen die Briefe zwischen Ingeborg Bachmann und Max Frisch. Sie sind eine Sensation.« Iris Radisch, DIE ZEIT

1. Max , Frisch

Homo Faber

Insanlarin yasantidan söz ederken neyi kastettiklerini kendi kendime cogu kez sormusumdur. Bir teknisyenim ve her seyi oldugu gibi görmeye aliskinim. Onlarin sözünü ettigi seyi cok iyi görüyorum. Kör degilim ya Neden korkayim Eski vahsi hayvanlar artik yok oldu. Neden bunlari düsüneyim Ne taslasmis melekler ne de seytanlar görüyorum.UNESCO teknisyeni Walter Faber aklin üstünlügüne güvenen pragmatik bir insandir. Mantiga, analize, rakamlara inanir. Korkunun, ümidin ya da sevginin isleyisini etkileyemedigi makineye hayranlik duyar. Basina gelen tuhaf olaylar, onun olgulardan ibaret dünyasini alasagi edecektir.20. yüzyilin en önemli ve en cok okunan metinlerinden biri olan Homo Faber, modern insanin yapitaslarini tek tek yerinden oynatan muzip ve cesur bir roman. Kati mantigin ve teknolojinin insani sokabilecegi cikmazlari gösteren bir modern klasik.Faber, talihten ve kaderden muaf olduguna inanan teknik varolusun kusursuz bir örnegidir. Elli yasini gecen Mr. Faber, Frischin sistemli bir sekilde teknikdisi, mantikdisi dünyayla carpismasina izin veriyor.Darmstädter Echo#almanedebiyati #teknoloji #trajedi #masumiyet #kader #sanat

1. Max , Frisch

Biography

A reissue of a comic and tragic play that asks just how much of our life we could--or would--change if we got another chance. In this play by Swiss playwright and novelist Max Frisch, a middle-aged behavioral researcher Kürmann is given the opportunity to start his life over at any point he chooses and change his decisions and actions in matters both serious and mundane--He could save his marriage, become politically active, take better care of his health, or even change the color of his living room furniture. Despite his intention to apply the wisdom he has acquired with age, Kürmann finds himself inexorably trapped in the same decisions. Ultimately proving fatal, Kürmann's life game interrogates how much of our own path is shaped by seemingly random factors and how much is in fact predetermined by our own limited, conditioned selves. The play's central idea--that our lives are nothing but a self-conscious play with imaginary identities--is brilliantly captured in Biography's dramaturgical form, setting up a theatre rehearsal as the metaphor for the endless possibilities and variables of the game of life. Frisch's own revised, dramatically heightened version of his play celebrates not only the theatre as a form of self-expression but also the human condition in all its potential and limitations as it showcases both comic and tragic outcomes that define all our lives.