Resultaten voor 'mcmurtry'

1. John McMurtry

Unequal Freedoms

1. Mark E. Neely
2. R. Gerald McMurtry

The Insanity File

"[This book] combines the discipline of historical writing with the forward march of a detective story. And it is painstakingly fair to both the pathetic Mary and the tortured Robert. Filled with confident insight and careful documentation, this book must already be considered as an essential addition to the Lincoln bookshelf."    —Harold Holzer, ChicagoTribune "One of the saddest stories in the Lincoln family saga unfolds in detail for the first time in The Insanity File—the1875 jury trial to declare Mary Todd Lincoln insane and the role played in it by Robert Todd Lincoln, her firstborn and only surviving son."—Herbert Mitgang, New YorkTimes BookReview "Neely and McMurtry had to acquaint themselves with the principals in the case, study the judicial procedures and medical practices prevailing in the 1870s, piece together from here and there items of information relating to the trial, and trace historical controversies that have unfolded through the years. Their sensitive and thorough research has led them to the conclusion that Mrs. Lincoln was treated fairly, that human considerations and civil justice did not work to Mrs. Lincoln's disadvantage."—Myron A. Marty, St. Louis Post-Dispatch "A fair-minded, comprehensive account based on new documents. Unlike their predecessors, Neely and McMurtry have placed Mary Lincoln's trial within the legal, social, and medical context of the times. So viewed, what happened to Mary Lincoln was governed as much by procedures and collective attitudes as by personal motivations."—Jean Baker, American Historical Review

1. Larry McMurtry

The Last Kind Words Saloon

The stunning final novel from the bestselling author of Lonesome Dove.

1. Larry McMurtry

Terms of Endearment

The acclaimed novel that inspired the Academy Award-winning film, from the Pulitzer Prize-winning author of Lonesome Dove.

1. Leslie Grace , Mcmurtry

Horror Podcasting

Horror Podcasting argues that podcasting, as an aural medium, is about the mind. Horror is an inward-style of storytelling, and yet the reception of the podcast can be an embodied form of listening. This intersection creates conditions for a subject/listener collapse (which results in immersion) as well as a potential listener/creator collapse (listeners move into the roles of creators). The texts (2006- ) discussed in this book generally originate in independent podcasting or public service broadcasting, and their modes of narrative vary between 'stripped-back storytelling' and the 'Theater for the Mind'. Titles like the post-Serial dramas (Limetown, The Black Tapes, Tanis, A Scottish Podcast, Video Palace, The Lovecraft Investigations) leverage the 'found footage' mode, collapsing frames through audio media's lack of a quotation mark and its time-based qualities, while Welcome to Night Vale plays on generic hybridity and horror's fixation on technology-based fears, including the fear of surveillance.The last part of the book uses cultures of production and Practice as Research frames to investigate processes of monetization and platformization and the impact of community in horror podcast dramas. The tensions between experiment and professionalization are explored through a series of interviews with fourteen creators involved in the 11th Hour Audio Drama Challenge as well as the author's own podcast drama series. The praxis of horror podcast drama is ultimately informed by the book's themes: technology-based fears including surveillance, generic hybridity, and the collapse between listener/creator engendered by the podcast form.

1. Leslie Grace , Mcmurtry

Horror Podcasting

Horror Podcasting argues that podcasting, as an aural medium, is about the mind. Horror is an inward-style of storytelling, and yet the reception of the podcast can be an embodied form of listening. This intersection creates conditions for a subject/listener collapse (which results in immersion) as well as a potential listener/creator collapse (listeners move into the roles of creators). The texts (2006- ) discussed in this book generally originate in independent podcasting or public service broadcasting, and their modes of narrative vary between 'stripped-back storytelling' and the 'Theater for the Mind'. Titles like the post-Serial dramas (Limetown, The Black Tapes, Tanis, A Scottish Podcast, Video Palace, The Lovecraft Investigations) leverage the 'found footage' mode, collapsing frames through audio media's lack of a quotation mark and its time-based qualities, while Welcome to Night Vale plays on generic hybridity and horror's fixation on technology-based fears, including the fear of surveillance.The last part of the book uses cultures of production and Practice as Research frames to investigate processes of monetization and platformization and the impact of community in horror podcast dramas. The tensions between experiment and professionalization are explored through a series of interviews with fourteen creators involved in the 11th Hour Audio Drama Challenge as well as the author's own podcast drama series. The praxis of horror podcast drama is ultimately informed by the book's themes: technology-based fears including surveillance, generic hybridity, and the collapse between listener/creator engendered by the podcast form.