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Resultaten voor 'ryan gilbey'
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It Used to be Witches
A Journey Through Queer Cinema'Sparkling . One of the best film critics around.' Literary Review'Sparks with ideas, humour and wit . [a] brave, dizzying book.' Jon Savage, Observer'A stunner .
€ 17,95 -
Groundhog Day
Groundhog Day (1993), directed by Harold?Ramis and starring Bill?Murray, is widely regarded as one of the most original and enduring films of 1990s Hollywood. What begins as a high-concept romantic comedy about a cynical television weatherman forced to repeatedly relive the same day soon deepens into a tale of despair and renewal, coloured by existential unease and the spirit of Samuel?Beckett.In this engaging study, Ryan?Gilbey traces the film's unlikely journey from Danny?Rubin's speculative script, centred on a man condemned to eternity in a small town, to its transformation into a studio classic. Drawing on fresh interviews with Rubin, Gilbey explores the inspired casting of Murray and Andie?MacDowell, the film's quietly radical structure, and the delicate balance between comedy and melancholy that gives Groundhog Day its lasting power.This new edition includes an afterword in which Gilbey reflects on the film's continuing cultural impact, its themes of repetition and despair assuming fresh resonance in the wake of the Covid-19 pandemic with its cycle of lockdown and re-opening. He considers Groundhog Day's influence on movies and television from Source Code (2011) and Edge of Tomorrow (2014) to Russian Doll (2019-2022) and I?May?Destroy?You (2020), as well as the 2016 stage musical based on the movie. Groundhog Day, Gilbey argues, has become more than a film; it is now a lens through which we examine repetition, transformation and the rhythms of contemporary life.
€ 16,50 -
Groundhog Day
It is becoming clearer and clearer that Groundhog Day (1993), directed by Harold Ramis, is one of the masterpieces of 1990s Hollywood cinema. One of the first films to use a science-fiction premise as the basis for romantic comedy, it tells the story of a splenetic TV weatherman, Phil Connors (Bill Murray at his disreputable best), who finds himself repeating indefinitely one drab day in the milk-and-cookies town of Punxsutawney, Pennsylvania. At first glance it seems like a feel-good parable in the tradition of Frank Capra's It's a Wonderful Life (1943). But on closer inspection it is a deeply ambivalent fable, with strong echoes of Samuel Beckett: before he finds redemption Phil must plumb the depths of suicidal despair - and even after he has survived this, the film offers no guarantees that he will live happily ever after. Ryan Gilbey begins his account of Groundhog Day with the long and unlucky gestation of the script by Danny Rubin (who was interviewed specially for this book) which formed the basis of the finished film. Gilbey celebrates the inspired casting of Murray, alongside Andie MacDowell and less well-known actors such as Stephen Tobolowsky (who plays the reptilian sa
€ 16,50