Resultaten voor 'sharon cameron'
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Up from the Ashes
€ 21,95 -
The Likeness of Things Unlike
A Poetics of Incommensurability“For nearly half a century, Cameron has been the gold standard of literary critical brilliance in the field of American literature. In The Likeness of Things Unlike, she continues her inquiry into the intricate ways in which literary language dwells in a region populated by the incommensurable, the unaccommodated, what cannot ‘be identified as this or that’ because they ‘emerge in excess of either,’ challenging paradigms and categories. There could be no better guide than the incomparable Cameron to chart this excitingly volatile linguistic territory. The Likeness of Things Unlike is a dazzling work of exhilarating intellectual vigor.”
€ 127,50 -
Artifice
Isa de Smit was raised in the vibrant, glittering world of her parents' small art gallery in Amsterdam, a hub of beauty, creativity, and expression until the Nazi occupation wiped the colour from her city's palette. The "degenerate" art of the Gallery de Smit is confiscated, and the artists are in hiding or deported, her best friend, Truus, fled to join the shadowy Dutch resistance. And masterpiece by masterpiece, the Nazis are buying and stealing her country's heritage, feeding the Third Reich's ravenous appetite for culture and art. So when the unpaid taxes threaten her beloved but empty gallery, Isa decides to make the Nazis pay. She sells them a fake--a Rembrandt copy drawn by her talented father--a sale that sets Isa perilously close to the second most hated class of people in Amsterdam: the collaborators. Isa sells her beautiful forgery to none other than Hitler himself, and on the way to the auction, discovers that Truus is part of a resistance ring to smuggle Jewish babies out of Amsterdam. But Truus cannot save more children without money. A lot of money. And Isa thinks she knows how to get it. One more forgery, a copy of an exquisite Vermeer, and the Nazis will pay for the rescue of the very children they are trying to annihilate. To make the sale, though, Isa will need to learn the art of a master forger, before the children can be deported, and before she can be outed as a collaborator. And she finds an unlikely source to help her do it: the young Nazi soldier, a blackmailer and thief of Dutch art, who now says he wants to desert the German army. Yet, worth is not always seen from the surface, and a fake can be difficult to spot. Both in art and in people. Based on the true stories of Han Van Meegeren, a master art forger who sold fakes to Hermann Goering, and Johann van Hulst, credited with saving 600 Jewish children from death in Amsterdam, Sharon Cameron weaves a gorgeously evocative thriller, simmering with twists, that looks for the forgotten colour of beauty, even in an ugly world. "War, resistance, and art are Cameron's canvas; her palette is a balance of trust and perfidy, beauty and defiance, new life and old. Artifice is a vibrantly-hued and many-layered story, exploring our very human inability to spot a fake when we long to believe that the object of all our desire is the real thing." -- Elizabeth Wein, New York Times best-selling author of Code Name Verity. "Painterly prose ... filled with rich intrigue depicts constantly shifting issues of trust in this complex, absorbing tale." -- Publishers Weekly, starred review.
€ 21,95 -
Bluebird
In 1946, Eva leaves behind the rubble of Berlin for the streets of New York City, stepping from the fiery aftermath of one war into another, far colder one, where power is more important than principles, and lies are more plentiful than the truth. Eva holds the key to a deadly secret: Project Bluebird — a horrific experiment of the concentration camps, capable of tipping the balance of world power. Both the Americans and the Soviets want Bluebird, and it is something that neither should ever be allowed to possess. But Eva hasn't come to America for secrets or power. She hasn't even come for a new life. She has come to America for one thing: justice. And the Nazi that has escaped its net. Critically acclaimed author of The Light in Hidden Places Sharon Cameron weaves a taut and affecting thriller ripe with intrigue and romance in this alternately chilling and poignant portrait of the personal betrayals, terrifying injustices, and deadly secrets that seethe beneath the surface in the aftermath of World War II.
€ 20,95 -
The Light in Hidden Places
€ 21,95 -
The Bond of the Furthest Apart
Essays on Tolstoy, Dostoevsky, Bresson, and KafkaSharon Cameron is the William R. Kenan Jr. Professor Emerita of English at Johns Hopkins University. She is the author of many books, including, most recently, Impersonality: Seven Essays, also published by the University of Chicago Press.
€ 110,95 -
Beautiful Work
A Meditation on PainThe stories one tells about pain are profound ones. Nothing is more legible than these stories. But something is left out of them. If there were no stories, there might be a moment of innocence. This book explores pain as common property, and as the basis for a radically reconceived selfhood.
€ 55,50 -
Forgetting
€ 20,95 -
Choosing Not Choosing
Although Emily Dickinson copied and bound her poems into manuscript notebooks, in the century since her death her poems have been read as single lyrics with little or no regard for the context she created for them in her fascicles. Choosing Not Choosing is the first book-length consideration of the poems in their manuscript context. Sharon Cameron demonstrates that to read the poems with attention to their placement in the fascicles is to observe scenes and subjects unfolding between and among poems rather than to think of them as isolated riddles, enigmatic in both syntax and reference. Thus Choosing Not Choosing illustrates that the contextual sense of Dickinson is not the canonical sense of Dickinson. Considering the poems in the context of the fascicles, Cameron argues that an essential refusal of choice pervades all aspects of Dickinson's poetry. Because Dickinson never chose whether she wanted her poems read as single lyrics or in sequence (nor is it clear where any fascicle text ends, or even how, in context, a poem is bounded), "not choosing" is a textual issue; it is also a formal issue because Dickinson refused to chose among poetic variants; it is a thematic issue; and, finally, it is a philosophical one, since what is produced by "not choosing" is a radical indifference to difference. Extending the readings of Dickinson offered in her earlier book Lyric Time, Cameron continues to enlarge our understanding of the work of this singular American poet.
€ 110,95